F455i SESSION 01

March 01, 2021
*Memoir Poetry
The Nines Poem

We are made of memory’s. Some, our own memories and some the memories of others. When we think of autobiography’s there used to be a misnomer that if one wanted to pen a memoir they had to live a long life, be close to death or that it had to be about their entire life. We are making a departure from this thought in this writing prompt. Enter, the union of poetry and nonfiction.

Notes/Definitions to keep in mind:

Stanza- The poets paragraph. A stanza is a chunk. A stanza can contain any number of lines before a line space or separated new stanza. Stanza’s often contain 5-15 lines.

Lines- Lines are the poets sentence. Lines vary in the word count. A line could be one word or a line could be 30 words. Lines are usually separated from other lines. If using punctuation, lines are often recognizable because the first letter of a sentence or new line is capitalized.
 

Writing Prompt:
Write a 9’s Poem
Remember a moment in your life that you can trace over a series of “nines time.” For example:

1. 9 moves
2. 9 lost keys
3. 9 people who have changed your life
4. 9 family members
5. 9 months, 9 years, 9 days, 9 hours
6. 9 doors
7. 9 times you said yes/said no
8. 9 times you used your intuition
9. 9 shades of blue

Once you have selected a “nines time,” in your life (from your memory) the format is as follows-

Create a 9’s poem
It must consist of 9 stanzas
9 lines in each stanza
9 section breaks or ways to separate each stanza. You can use numbers (1)…or you can use the alphabet (a.) or you can actually use a sentence or phrase to name each stanza (Door #5)

*Due to group (Online Studio 3/5)
*Feedback from group members due 3/7

 

Weekly Homework:
Journal Entry #1
Look outside the window or take a walk. Once your return, write down a list of everything you remember seeing. Use vivid imagery and try to write down as many details as possible.

Sketch Entry #1
Sketch, draw, doodle or collage a series of things that represent your 9’s poem. (Don’t use any text from your poem or any words) Visual only.
 

PLEASE NOTE: It is best to write your material on your own document, then copy and paste into the Online Studio. If you are writing, then happen to leave the Online Studio page by clicking a link or looking something up, your text might be lost! It’s good to get into the habit of opening different tabs in your browser when writing in the Online Studio to preserve your submission.
 

Discussion

  • Kadie Kelly: Got it! Thanks!
  • Anastacia-Renee: Thank you for sending this! I am going to see if I...
  • Anastacia-Renee: Tracy! Sending feedback for your 9's via email!
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jeffrey martin
Artist
4 March 2021 7:56pm
Reply to  studioELLadmin

Thanks so much. would you also like for us to post our sketch or journal entries here?

Anastacia-Renee
Prof
Anastacia-Renee
4 March 2021 10:00pm
Reply to  jeffrey martin

Yes, if you are able!

Kadie Kelly
Artist
5 March 2021 4:20pm

I thought I just posted it but can’t find it now…
Here it is again:

Journal Entry #1
Look outside the window or take a walk. Once your return, write down a list of everything you remember seeing. Use vivid imagery and try to write down as many details as possible.

Wednesday March 3, 2021
12:51pm PST

Walking outside my studio
Located at ____ MLK Jr Way, Oakland, CA 94609

  • Turquoise cross on St. ____ church on the corner of 40th and MLK Jr. Way
  • Auto Body yard
  • Rusted metal cages, 4’ tall, 2 stacked
  • Graffiti
  • A dark red abandoned cupcake paper on the sidewalk, looking moist
  • Stickers on the street sign posts – balck and white, symbols I didn’t recognize
  • Palm tree pairs
  • Banana trees
  • Bougainvillea
  • Cherry blossoms – pink, white
  • Metallic rose gold trimmed cutlass sierra car in the church parking lot
  • Sign- Baxter’s Sophisticated Fashions
  • House – with a Christmas decoration on the front, freshly painted
  • White Honda CRV in the driveway
  • Painted tire-planters – white
  • A garden door – white
  • Iron gates
  • Straight and twisted designs
  • Metal bars on windows
  • Plastic coverings, plexiglass, behind the iron gate
  • White fire hydrant
  • Abandoned box next to it
  • Books, heather grey knit sweater
  • A white man with a golden retriever on a red leash and muzzle
  • Cafe
  • A brown man – on a bike with a large black garbage bag on his lap
  • Wearing a beanie 
  • Across the street on the sidewalk, turning the corner towards us
  • A mosque
  • Palm trees in front on the 42nd side
  • Black Lives Matter sign in the window of a house across the street
  • Grass
  • Welcome banner on the church
  • Ratty looking weather worn buddhist flags above the sidewalk marquee of the church announcing a peace garden
  • FACE
  • For rent sign taped to the building up high
  • Freshly painted gray with red trim
  • Locks on gates
  • Cars behind gates and parked along the curb
  • Blinking lights
  • Tow truck – “Atlas” on the side
  • Empty in the back
  • Billboard – muted orange with the word Energy and some rounded arrows, above the auto body yard
  • Leafless trees, 3 or 4 with tangles of dry branches
  • My Subaru forester, sand colored, roof rack, car top carrier 
  • Anthony’s ford car – silver colored
  • Green street signs – with the Oakland Tree emblem on the left side
  • Pottery in the window next to the cafe
  • Some with a metallic glaze
  • Flame in a pot sculptures 
  • Mugs, other sculptures, shapes I can’t decipher 
  • Studio sign, “J” something
  • I-beam – rusted with a new chain hanging down, silver
  • Cages with liquid -2 light blue in plastic containers on side of the building with graffiti on it. Painted black under that. Wood painted black.
  • Masking tape on the glass part of the door that says NO PARKING
  • Road closed signs on 42nd 
  • Cars going by
  • Donuts
  • Banana bread
  • Cafe menu
  • Black ropes outside cafe
  • Iced latte
  • Paper tea cup, masking taped closed
  • Brown bag
  • A man in a mask
  • Red glasses rims
  • Oversized black puffy coat
  • Grey pants
  • Next to a clack hard cased suitcase on wheels on the sidewalk
  • Long, straight, gray hair, just past his shoulders
  • Female barista
  • Brown eyes
  • Male barista
  • Brown eyes
  • Card reader, white
  • Large dark green leaves on 2 or 3 trees with a few unopened blossoms going up 
  • Concrete overpass over 42nd to the left
  • Houses down the streets perpendicular to MLK Way 
  • Multi family units
  • Single family units
  • Garages with windows
  • Fresh paint
  • Wooden fence – brown stained
  • Bulging door with lock
  • Stairs going up to the door
  • White for sale sign in front of a house

 

Anastacia-Renee
Prof
Anastacia-Renee
7 March 2021 5:49pm
Reply to  Kadie Kelly

Thank you for this list! Two parts of the list really stuck out for me (as the reader).

  • Banana trees
  • Bougainvillea
Anastacia-Renee
Prof
Anastacia-Renee
7 March 2021 5:46pm
Reply to  jeffrey martin

Jeffrey,
If you are able to post your sketch, I would love to see it!
Prof. A.

j o h n r o s
Prof
4 March 2021 12:06pm

this definitely needs more work… but here we go.

jeffrey martin
Artist
4 March 2021 5:34pm
Reply to  j o h n r o s

oooooo I have too many emotions and thoughs. I need to reread this.

Kadie Kelly
Artist
5 March 2021 2:36pm
Reply to  j o h n r o s

Hi John,

I knew immediately the Terry Gross interview you are referring to. It stopped me in my tracks when I heard it too, a few years back. I felt invited in from there.

Your style was very easy to read. The set up of your lines and their length contributed to that I think.

I wasn’t sure what you meant by drones in the second stanza but your descriptions of events, reactions, were very accessible and smooth otherwise

I thought in the 4th stanza since you call out the number 3, it might be interesting to make that one the 3rd stanza, or, made me notice I was looking for some kind of clearer relationship to the numbers with the context of each stanza.

in your 5th stanza you had 10 lines. I counted because I thought each of those lines could actually be their own stanza- then I could see a very strong sense of flow/rationale to the piece.

When you say “my monster cobbles along”, that was an interesting image and could be played with throughout, maybe?

I like how you bookended it, referring back to the train, Lafayette Ave.

j o h n r o s
Prof
6 March 2021 9:51am
Reply to  Kadie Kelly

thanks for your comments!

i love that you know the fresh air episode! i have been trying to relocate it to no avail. can’t believe i spelt her name wrong :/

drones = “one that lives on the labors of others” ie the school’s policies not to confront or accept bullying or even sexual abuse. i believe because of my queerness, and the accusations on a hockey star… i was disbelieved and not taken seriously. so, in turn, i was being assaulted again by the institution.

Jeannine Bardo
Artist
5 March 2021 6:50pm
Reply to  j o h n r o s

Wow! First, congratulations on being 9 years sober!
SO many word gems in this. I like how you compare the addiction to an unknowing and uncaring friend and I got a glimpse into how all consuming this life was and the struggle you still have. Comforting salt bombs, hangovers brought skin to life, living lucidly can raised pain thresholds… this last one stayed with me because I can see why addiction can take hold.

cary
Artist
6 March 2021 9:08am
Reply to  j o h n r o s

Hey john,
feeling so grateful and delighted to be back in the room with you again.
this is a powerful read and I’ve been sitting with it these past couple of days.
I find myself drawn back again and again to the pattern and movement you’ve got going on here: the sense of place as bookends and the journey in between – even where faltering, we found ourselves arriving, pausing to breathe, in a different place than where we began.
the fifth stanza feels pivotal – an unequivocal bearing witness – arresting in its frankness and also feels so carefully well placed between a before and an ongoing after. There’s something for me in the honesty without euphemism of that fifth stanza that feels like a necessary step, and something subtle but significant within the poem and the self shifts.
Thank you for sharing your words, and yourself through them.
cary.

j o h n r o s
Prof
6 March 2021 9:52am
Reply to  cary

happy to be back in the classroom with you too cary! 🙂
thanks for your thoughts! 🙂

carli toliver
Artist
6 March 2021 10:48am
Reply to  j o h n r o s

John! I loved the vulnerability of this poem, thank you for that and for sharing some of your journey. There were several lines that I thought were beautiful, among them “oblivion followed my steps into backward drift” from stanza 4 – is an incredibly visual way to describe this forward/backward/nothingness/chase/dissolution. That sentence stopped me. “My monster cobbles along” was another.
Stanza 5 – it’s stylistic change of repetition and sameness, was a good “break” in the overall piece and for affect was also powerful. I also really loved the last stanza – it’s end and how complicated, layered it is to want momentum to stick. I think it’s your story telling, the way you’ve brought us to that moment at the end, I felt that yearning, that slowing and the lines “wanted freedom/momentum to stick” held greater value for me as a reader. I also just liked the sounds elicited in reading that last stanza aloud – “stick” “sensing” “sound and shift” “still alone” “thirsty” – it all sort of echoed and melted into itself, which felt like a lovely and melancholy ending.

Tracy Holtham
Artist
7 March 2021 12:13pm
Reply to  j o h n r o s

Hi John
 
I am moved by your poem.
 
Stanza 1
either way, her voice resonated
– I like the power of this line. It reminds me how some voices have direction, and may be meant for us to hear at a particular time.
 
Stanza 3
caressing – not knowing it’s codependent
harm
 – this made me pause for a moment, as I see a duality in the description and lines
 
Stanza 4
 – for me, the listing of timeframes shows how feelings can expand or contract over time
 
Stanza 5
 – I see the use of repetition as valuable way of describing the visual nature of context and time
 
Stanza 7
or finding the right-wrong thing to say
– this stood out to me, as I can relate to a fluctuating perception of language in a particular moment

Anastacia-Renee
Prof
Anastacia-Renee
7 March 2021 6:37pm
Reply to  j o h n r o s

John! I emailed you feedback! Thank you for 9’s.
Prof. A.

Kadie Kelly
Artist
4 March 2021 2:25pm

hi, nervous. grateful. here we go!

9 ways of pink

1. Seeing 

My eye 
Caught hold of a bright, beautiful, deep, pink color in a clear plastic bag 
Hanging on the wall in Blick’s novelty section
I felt something
I had never seen that kind of stuff before and had no projects in mind
I didn’t hem and haw. It was $2.99
I looked at the other colors on the wall 
Green, blue, yellow, orange
Nope. None of them created this magical feeling

3. Touching 

We got back to our condo in the Oakland Hills
I opened the package of the new pink fluff
So soft and fine, like hair, almost
Not like yarn
It separated – the strands each very silky. I started to pull at them 
To see what wanted to happen 
Next. It reminded me of a photo I’d seen on Facebook

4. Imagining 

The “Hem of His Garment”, the work of a Russian photographer who claimed the Veil-like fabric in the image was the aurora in Finland’s Northern lights
Reminded me of the effects of the nebula brush in ProCreate
Gauzy, iridescent making, portal portraying
Or the images of galaxy colors taken by the Hubble Telescope – the texture Thin, translucent, but also holding a flowing shape inviting my imagination to Consider it an entryway, a portal to another dimension
The piano right there
I got the idea to make it look like this pink almost translucent veil over it

5. Creating / Sounding 

In some places bright flowing color, in other places finer strands trembling  
Down the piano
I didn’t know what to do with what remained yet
Gathering it together placing it on top, taking a photo or two
I looked 
At the photo later, visualizing, starting to grasp
The color inspired a feeling, that moved me to create sounds on the piano
Then turned into a story. I made 
A diagram of the process. It gave me a wow feeling

6. Processing / Integrating 

Contemplating how to get my important creative projects out,
Finished, my thinking mind had this logical, linear, task oriented approach 
This – though, this I understand, and there’s a flow to it, this motion – it moves Me, generative, energy naturally flows, oozes, it can’t be helped
Feeling released from the bondage of what the patriarchy has to say
Wow, I’m returned to my nature. I feel happy, surprised, gifted this feeling – of Pink, from the fluff, a portal 
Energetically attracted to me 
I it, at magnetic proportions

7. Remembering / Summoning / Allowable 

Just after that I found an old photo of myself at four and a half years old
The Care Bear I am holding in my lap – a magenta 
Color, like the fluff, a rainbow across its tummy
The feeling of loving and being loved by that bear and the stories depicting Loving care culminating in a Care Bear stare at the climax of the Care Bear Movie – having a powerful effect via the collective positive loving focus on a Troublesome character’s heart – meant to dissolve hate – seemed an inspired Intention to hold and just what the doctor ordered, as far as a chief energetic Ingredient in my recipe for creative output

8. Buying / Wearing / Meditating 

I’ve also found myself attracted to jewelry lately in this color, buying it online is My joy de jour these days. Even having the power to get me out of bed 
During these monotonous covid weeksI bought the 
Rose colored glasses with pastel rainbow arches at the top of the lenses
Magic! A scalloped, pave necklace in a pastel pink cubic zirconia, and earrings Described as adorable clay pave huggies by Kate Spade, in amethyst 

When prompted to meditate in an online sanctuary circle the light energy Evoked – is pink – it comes from above, has a light Pepto Bismol hue and a Sparkle about it. It oozes over me.

9. Sending out / Effecting / reckoning / fantasy / reckoning with rage

My heart door opens – inside, a matching hue of goo. Glittery, and a bit deeper In color. There’s a flow and connection now happening
Doodling in Procreate
I chose magenta
Three upside-down V-s appear
Out of nowhere
Then fill with purple under a muted pink glitter
Fair weathered cumulous clouds kiss their tips, dance in between them, small
“Merry Christmas” across what appear as volcanos

End of pink

jeffrey martin
Artist
4 March 2021 5:36pm
Reply to  Kadie Kelly

I really like how you focus on the impacts of color here. I would have never thought of this. certainly will give it another read and comment with other thoughts

Kadie Kelly
Artist
4 March 2021 9:28pm
Reply to  jeffrey martin

Thank you so much for saying so. I look forward to more of your comments.

cary
Artist
5 March 2021 11:12am
Reply to  Kadie Kelly

There’s an abundant energy in this, spilling over. And so synesthetic. It’s so interesting how you express both emotional and physical feeling of the color(s). There’s a tactile and textural quality as if pink is something to be experienced or expressed or understood by touch as much as sight:
The smoothness of the plastic, the jewelry and the grit of the glitter. The translucency and gauziness. At turns fluffy and oozing – and in the last stanza both: cumulus clouds above volcanoes, which I imagined erupting with pink glitter lava. The hue of goo.
Which makes me imagine the repeating flowing energy is not so much like an invisible force but as something with substance that causes a physical sensation as it runs over, in and through the body.

Kadie Kelly
Artist
5 March 2021 4:12pm
Reply to  cary

Hi cary, thanks for your reflection back to me about the abundant energy and synesthetic nature here. I don’t see myself as synesthetic, in a literal way, because I don’t hear music and then see color. It got me doing a little more introspection and reading up about what that word means. 🙂

Jeannine Bardo
Artist
5 March 2021 7:19pm
Reply to  Kadie Kelly

Hi Kadie,
I like the 4th stanza, Imagining, and all that it evokes for me. It is dreamlike and otherworldly, like a flow state may be, this moment in time when your stream of consciousness mind found its way towards the formation of new form.

Last edited 3 years ago by Jeannine Bardo
j o h n r o s
Prof
6 March 2021 9:31am
Reply to  Kadie Kelly

i’m drawn to the last bit… “end of pink” … there’s a finality here that feels interestingly abrupt and contradictory — based on the flow of process and thought.

3
It separated – the strands each very silky. I started to pull at them
To see what wanted to happen
— one of my favorites!

5
The color inspired a feeling, that moved me to create sounds on the piano
i may want to know more about this feeling… what does it feel like?

stanza titles feel at once purposeful and also meandering… probably in a good way. wondering if tightening these up might have more effect?

noticing many brand references which is just an observation. i wonder about how these inform pink… pepto bismol has an obvious connection… but thinking about the efficacy of others.

Kadie Kelly
Artist
6 March 2021 5:45pm
Reply to  j o h n r o s

Hi John, It was fun reading your comments. 🙂
I get why you say that about the brand references. I do feel like the specificity is fun and helps a reader visualize or be able to look up what I’m talking about – especially with the pink fluff. In the case with the memory game, some foreshadowing is happening – because I will unpack this idea of playing memory games later in my collection/memoir and reference back to the name of this game and the packaging description. I will think more about if there’s a way to make it feel less awkward in this poem.

The stanza titles will get tightened up. Especially the last one. I had a different ending before and it didn’t get cleaned up right when I posted. (The slashes actually indicate an indecision between the different words as possibilities.)
I do want to try editing to add something more about what the feeling feels like in stanza 5. I didn’t think of that there but see it would make it richer.

Thanks so much for your thoughtful and constructive feedback.

carli toliver
Artist
6 March 2021 11:06am
Reply to  Kadie Kelly

I really enjoyed this artistic journey with you and pink! I found it so interesting to follow you along on your ruminations about color, object, process, emotion (among other things) in this way.  I really liked these concise lines in stanza 5:  
At the photo later, visualizing, starting to grasp
The color inspired a feeling, that moved me to create sounds on the piano
Then turned into a story. I made 
A diagram of the process. It gave me a wow feeling 
In just a few economical lines I’m able to follow you through object, reflection, feeling, sound, story, diagram. It’s almost spell-like, incantatory.  Cary mentions energy in her comments and I completely agree – I felt like I was following along this constantly moving and transforming energy. It seemed as if the whole poem was a diagram of relationship and movement. At first you select pink (or does pink select you?) and then by the end pink is synchronistically appearing everywhere.

Kadie Kelly
Artist
6 March 2021 5:48pm
Reply to  carli toliver

Thanks for this read! I’m glad it was clear to you. You completely got what I was trying to communicate here. <3

Tracy Holtham
Artist
7 March 2021 2:10pm
Reply to  Kadie Kelly

Hi Kadie
 
I liked the use of colour, meaning and movement in your poem.

Stanza 1
 – I enjoyed the combination of decisiveness and mystery.

Stanza 3
It separated – the strands each very silky. I started to pull at them
To see what wanted to happen
 – The sense of negotiation and movement are interesting to me, as could be seen in contrast with the stillness in the first stanza.

Stanza 4
 – For me, there is a sense of layering with the different descriptions of cosmic texture, which add to a feeling of the unknown. I like the way the piano directly comes into the visual frame. It also reminds me of how portals can be visual, or auditory.

Stanza 5
In some places bright flowing color, in other places finer strands trembling 
Down the piano
–    It is interesting to see the pink form coming to life as the poem progresses.

Stanza 7
–    I could relate to the feelings from the Care Bear Movie.

Stanza 8
has a light Pepto Bismol hue
–    This description instantly took me to the colour, and the potential meanings behind it.

Stanza 9
I chose magenta
–    To me this is a powerful line, as encapsulates what could potentially be seen as one of the essences in your poem.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 12:24am
Reply to  Kadie Kelly

Kadie, I emailed feedback about your “9’s!’.
Prof. A.

Kadie Kelly
Artist
4 March 2021 2:28pm

Is there a way to edit here?

Kadie Kelly
Artist
4 March 2021 3:08pm
Reply to  studioELLadmin

Thanks for a quick response! I was able to find the cog but when I clicked on it it said no longer able to edit this comment.

Agnes Álvarez
Agnes Álvarez
4 March 2021 3:15pm
Reply to  Kadie Kelly

HMMM… not sure what happened. you should be able to edit your own post.

Agnes Álvarez
Agnes Álvarez
4 March 2021 3:18pm
Reply to  Kadie Kelly

Maybe logout then try again after re-logging in? As a last effort, I can delete your original post on the back end and you can re-submit you work.

Agnes Álvarez
Agnes Álvarez
4 March 2021 3:13pm
Reply to  studioELLadmin

This is a test post.
I was able to edit this post.
I was able to edit this post a second time.
I’ve logged out. Cleared Cookies/History and can still edit.

Last edited 3 years ago by Agnes Álvarez
cary
Artist
4 March 2021 4:37pm

Hey all.
Here goes…
Poem attached as pdf

jeffrey martin
Artist
4 March 2021 7:54pm
Reply to  cary

I really like your descriptions of the variations of journey you have taken and under what context. Assuming each stanza is a different journey, each of these journeys were in a different mode of transportation which I like the pocket of each story that was being told.

cary
Artist
5 March 2021 8:48am
Reply to  jeffrey martin

Thanks, Jeffrey.
yes, you assumed right. Nine individual journeys and various modes of travel. Five, I think… yep. And now I think about it, each is a distinct location. With the exception of the fifth (the shortest and most recent journey/memory in literal terms) the rest are chronological (intentional/ spans 40-ish years).
I say that only because I’ve only just realized, without the fifth to interrupt the sequence, the first is the shortest distance travelled and the ninth the longest. It’s curious how even the unconscious mind will make patterns of things.

Kadie Kelly
Artist
5 March 2021 2:52pm
Reply to  cary

I loved seeing the shape of your lines. That was a treat.
Each journey got me in some way. I wanted more from each story. They were almost like hooks – each a chapter, or more or less, to what could be your whole memoir.

Jeannine Bardo
Artist
5 March 2021 7:40pm
Reply to  cary

Hi Cary,
I really like how you remember small moments. They are strange things we remember, but they bring us right back and you brought me right into your memories. The bleeding, the salt smell, and the emotional roller coaster of feeling anger, like the 3 steps in journey VIII of feeling principled, indignant and finally, petty. If you just wrote petty I would be impressed with your self control, but you were honest. WAIT! I am still impressed with your self control:)

Last edited 3 years ago by Jeannine Bardo
j o h n r o s
Prof
6 March 2021 9:36am
Reply to  cary

location — place … i’m there though i don’t know these spaces.
great tension and possibility here.

IV. feels well crafted… love the flow and mystery. lots of mystery throughout! revealing but letting me also imagine. 

loving the shape of the poem taking us on these journeys with you.

carli toliver
Artist
6 March 2021 11:24am
Reply to  cary

I was drawn into each stanza, each journey that’s not just about the details or physicality or location but also emotion. In the first stanza I really liked how so many of your words, even the proper nouns, are two syllables and/or two words if you break them apart. Also each is kind of a path or a place in itself and universal. Though you are likely referring to a certain place, the words could really land anywhere. I’m thinking of “railway” “Meadowbank” “South Street” “steep path.” In stanza 2 I was drawn to your stylistic crafting of the lines and how dawn – (a beginning) – is flipped as the end of the stanza. I think its interesting that the journey can be border crossing or just an evening constitutional, keeping a pace with whatever she was walking out of her head, was a beautiful line to illustrate and sort of contrast stanza 2 and 3. Stanza 8 illustrates the journey that physically we travel but also the journey of self-recognition, after we felt x and then felt y and then land where we really were/are. I thought the deletion of the words was a wonderful way to illustrate that internal “journey.”

Tracy Holtham
Artist
7 March 2021 3:01pm
Reply to  cary

Hi Cary

I liked the variety of geographical and emotional journeys in your poem.

Stanza I.
A stranger offers sweets from inside his car
at the corner. Or did I only imagine that?
–       It is interesting how the line is carried over to the next, which for me emphasises the corner and its potential meaning.

Stanza II.
Parents up front with the back seat folded down.
–       I enjoyed the movement within this line, and the possible contrast between responsibility, and the ability to be more relaxed.

Stanza III.
our evening constitutional:
–       I see the value of communal routine in this line.

Stanza IV.
–        I am struck by the powerful journey of this stanza.

Stanza VI.
–       I like the contrast of the conversational tone, which for me adds to the intrigue.

Stanza VIII.
I had reserved our seats – window seats to see the sea.
–       I can relate to the importance of this.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 1:49am
Reply to  cary

Carry, I emailed you feedback on your 9’s!

jeffrey martin
Artist
4 March 2021 5:32pm

hmmm I hope I understood the prompt correct 🙂 Please see below…

FEELGOODS by Jeffrey Martín (mar-TEEN)

F
Find me like I told you
Feel me breathing at your tempo
Fix your eyes on me
Fan me with them slowly but with intent 
Fight me with care 
Fall into love temporarily 
Fashion your root chakra to mine
Fuck

E
Eat upon this place
Elaborate with your body that your text couldn’t 
Empty your heart
Enable me to empathize
Engrave your soul into mine
Enticing….that’s what this is
Entwined with you like the stars
Enveloped in your arms 

E
Erect are my eyes watching you sleep
Estranged from my initial intent
Evading my emotions, which did not work here
Even when he showed up late
Exposed to myself naked here with you 
Expressing my stoopid face and heart 
Eyes marked to the ceiling 
Extinguished by our silent dance 

L
Laid beside you is how I feel 
Letting my body relax into the bed 
Lit by the moon
Locating your hand to hold
Locked finger in between finger when i found it 
Limitless in suspension
Leaning on each other spooned on our sides
Last night would have to be our last 

G
God exists doesn’t she/they?
Giggling with you post shower
Gives me comfort in this universe
Glowing…is what they will say when they see me 
Gossip will sure follow this encounter from last night
Grasping this moment to hold onto forever 
Gratified in all that occurred 
Grappling with its lack of permanence 

O
Oh my
Obeying my mind and not my heart
Obscured by me feeling undeserving 
Offended by love
Oppressed by my fear
Overburdened by past abandonment
Overlapping in the same place of my journey
Overfeed with untrue stories and patterns 

O
Obviously I’m worth it 
Overpower this lie of not being lonely
Overwhelmed your inner critic and contact them 
Owe….that is what you must do to your heart and for yourself 
Oversaturate it with love
Overdone love isn’t cute though…
Outwit your rationale and text them
Oscillating in over-analysis paralysis 

D
Damn you did it
Declaring your would like to do a proper date
Deemed yourself worthy of love eh?
Demonstrating you aren’t afraid anymore 
Diagnosed by cupid 
Dig deeper here 
Discuss it in your session
Do you and be cool

S
Silly you 
Sabotaging yourself before you get there
Save the mess for work
Scoop yourself out of this mess and just feel 
Screw yourself and just breathe
Show them you care like when you first met
Soak in their breath like you did the 1st time 
Stay

cary
Artist
5 March 2021 10:28am
Reply to  jeffrey martin

I’m struck by the strength of the self you express here and how, as the emotions shift, so, it appears, does the “you” being addressed. As if the self by increments is inexorably turning around to speak to the self. There’s intimacy moving into increasing vulnerability toward that final word — and the weight and wait of silence I hear hanging after it.
Read aloud I found it so satisfying how your O stanzas begin – “O oh my” and “O obviously” – reinforcing that voice and that same turning perspective.
As I’ve been thinking about structure and sequences across all these poems, overnight I’ve been mulling over the question of what gets put into the fifth stanza of all these nines – the center/mid-point/nestled between two sets of four. Be it by intention or happenstance. And in that, I’ve been enjoying thinking about how/where you placed that huge cosmic level question and the self in the expanse of the universe.

Kadie Kelly
Artist
5 March 2021 3:02pm
Reply to  jeffrey martin

Hi, Jeffrey, This is such a great emotional journey. In the beginning, first three stanzas, I admit, I was a little scared / put off by the aggressive tone. It seemed bossy, and suggested the other person as not having agency, and that that aroused you.
But as it went on you got vulnerable. I wonder if a hint of that could go in the beginning.

Jeannine Bardo
Artist
5 March 2021 7:54pm
Reply to  jeffrey martin

HI Jeffrey, I appreciate how you gave yourself a specific structure by using the letters in the title, FEELGOODS and how well you used each letter to describe the complicated emotions of an intimate moment, from beginning to end.

j o h n r o s
Prof
6 March 2021 9:42am
Reply to  jeffrey martin

so excited by the stanza’s consonance… eases us into flow — allows us to flow with you.

you take us to vulnerability — so important.
second “O” stanza is heart-wrenching… BEEN THERE! … i am there with you.

carli toliver
Artist
6 March 2021 11:39am
Reply to  jeffrey martin

Ahhh, I loved this! I just felt it. It felt so true and relatable. Been there. Your idea for the poem itself, FEELGOODS is such a creative spin. And the poem was so lovely to read aloud; it feels like it should be read aloud, it should be performed in a room full of people who will FEEL IT because they know it. Some of the lines I enjoyed “Declaring your would like to do a proper date” “Scoop yourself out of this mess and just feel” – more than I can put here. I enjoyed the oscillating, anxious, watchful, butterflies etc. which is all part and parcel of the feeling and the negotiation that happens behind the scenes of the feelgoods.

Tracy Holtham
Artist
7 March 2021 3:39pm
Reply to  jeffrey martin

Hi Jeffrey

I liked the use of the anagram and letters in the formation of your poem.

Stanza F (1)
Fashion your root chakra to mine
 – I liked the visual connection and sense of grounding within this line.

Stanza E (3)
Extinguished by our silent dance
 – The contrast between endings, silence and movement is interesting to me.

Stanza E (4)
– I am struck by the possible contrast of intimacy and finality within this stanza.

Stanza E (6)
Overburdened by past abandonment
Overlapping in the same place of my journey
Overfeed with untrue stories and patterns
 – These lines resonated with me.

Stanza O (7)
Owe….that is what you must do to your heart and for yourself
 – I saw a potential double meaning of Owe / 0, which for me is compelling.

Stanza D (8)
 – I liked what could be seen as a conversational tone in this stanza.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 3:16am
Reply to  jeffrey martin

Jeffery, I sent 9’s feedback to you via email!

carli toliver
Artist
4 March 2021 7:15pm

Hello everyone – so fun to read everyone’s poems so far. 🙂 Mine is attached.

Kadie Kelly
Artist
5 March 2021 3:29pm
Reply to  carli toliver

Hi Carli,

I enjoyed the evocative language here. The title threw me a little-it took me some time to realize you were describing a number of different abodes. For example in stanza one and two, after reading them both wondered if you were using sarcasm about “palatial” and “mansion” because in stanza two you said “slivers of space”. I was curious in that stanza too about the word pyramid. That seemed cool and like something to unpack but it wasn’t clear to me why that word was used there.
I never heard of Jupiter’s Island and looked it up. It seemed like a personal memory because I didn’t understand what you meant by clinging to that kind of architecture. Overall I felt I wanted to be let in a little more to what was going on for you in each densely packed stanza.

carli toliver
Artist
7 March 2021 12:51pm
Reply to  Kadie Kelly

This is really helpful feedback. I think sometimes that because I know each apartment (and yes, each stanza is an apartment I lived in, in chronological order) so well, that must be translatable to the reader. jupiter’s island was just my spin on Manhattan. My thinking was just that Jupiter is the biggest planet and Manhattan feels like this massively complex island. But in hindsight it might have been helpful if I titled each stanza with the actual location (New York, New Jersey etc.) – that might have been a better reference point and given some context to all the wandering words. 🙂

Jeannine Bardo
Artist
5 March 2021 8:06pm
Reply to  carli toliver

Hi Carli,
I felt like I went on a whirlwind real estate tour! But instead of describing each space you captured each place. All of the little details brought me in to each one, the light the fixtures the views, the weather…

carli toliver
Artist
7 March 2021 12:51pm
Reply to  Jeannine Bardo

Thank you Jeannine 🙂 it was fun to recreate each space in this writing exercise.

cary
Artist
6 March 2021 9:59am
Reply to  carli toliver

Hey carli,
I love so much about this. How vivid and elemental it is – how you create light and space and temperature and landscape – the outside and the interiors. Each so distinct. Even surprising at times: “Frigid freezer of shag carpet” is a brilliant collision of contrasting sensations.
There’s so much delicious, evocative wordsmithing that feels really good, irresistible, to sound aloud:
“Angry wet eels dripping up the aisle.”
“A whale mouth street of endless summer holiday.”
(I love too how the placement creates, “bellied. A whale”)
i found stanza III creating a satisfying punctuated rhythm. And the way you stretch time in the repeated “today and today”s in VI.
I enjoy the glimpses we get of people inhabiting these spaces. I found myself drawn to imagine them.

carli toliver
Artist
7 March 2021 12:55pm
Reply to  cary

Thank you! I am reading Toni Morrison right now (Tar baby) and I was trying to mimic (obviously nowhere near as successfully) her ability to infuse passages with emotion, some of her descriptive passages – when a character is ruminating on something – are this lovely blend of description and feeling. It’s funny because stanza three was my favorite apartment and was the easiest to write. I could continue to rewrite this poem for years probably, ha!

j o h n r o s
Prof
6 March 2021 10:53am
Reply to  carli toliver

this is so exciting! i am so there with you. your word choices and descriptions are imaginary!
i could smell spaces, live through experiences (and anxiety) of moving, with a pangs of finding home.

carli toliver
Artist
7 March 2021 12:56pm
Reply to  j o h n r o s

Thank you John! Yes – to the anxiety of moving for sure, and change. And yes to the home finding, making, search – that’s all there too.

Tracy Holtham
Artist
7 March 2021 6:30pm
Reply to  carli toliver

Hi Carli

I liked the sense of imagery, movement, and colour in your poem.

Stanza I
The second floor with a red door inside a square brick
building that sat just off the road my school bus rumbled along
 – I like the rhythm of these lines. To me it is as if the building is personified.

Stanza II
Walls pressed into pyramids of brick soaked light
 – This was a powerful metaphor to me, with the sense of motion and light.

An architecture of clinging
To Jupiter’s island
 – For me this could be seen to reflect the personification in the first stanza, and has invited me to look at buildings in a different way.

Stanza III
Ivory curved intestinal radiator.
 – I can imagine this so clearly.

Stanza IV
 – For me, the flow between the lines and use of punctuation highlights a feeling of busyness, due to elements co-existing.

Stanza VI
Steel box for three.
 – I like how three is repeated in various stanzas, which led me to reflect on potential links within the poem.

Stanza VII
Pass words. Hand shakes.
 – The form of these words brings out new meanings in them to me.

Stanza VIII
The strange fit of another’s city
 – I could relate to this feeling.

Stanza IX
A wide smiling second story porch with blue wood chipped floors.
 – I’m reminded of the personification I felt in the first stanza. Repetition of the second story is intriguing to me – it has made me want to take more notice of second floors.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 4:15am
Reply to  carli toliver

Carli, I sent feedback to you via email!

Anastacia-Renee
Prof
Anastacia-Renee
4 March 2021 10:02pm

Greetings Everyone,
I cannot wait to read all of these 9’s! Please let me know for this round of feedback if you prefer my feedback as a recording and sent to you or as a direct reply to your work.
Prof. A.

cary
Artist
5 March 2021 8:00am

Morning Prof. A.,
I’m grand with a direct reply on here.
Cary.

j o h n r o s
Prof
5 March 2021 10:29am

whatever works best for you! 🙂

i will return tomorrow and comment on other’s work.

carli toliver
Artist
5 March 2021 1:26pm

I’m also open to either form of feedback. 🙂

Kadie Kelly
Artist
5 March 2021 2:25pm

whichever you prefer. Thanks!

Jeannine Bardo
Artist
5 March 2021 8:00pm

Hello Prof. A.
You can reply here.
Thank you

Tracy Holtham
Artist
7 March 2021 2:14pm

Hi Prof. A

Many thanks – either are suitable for me.

Kadie Kelly
Artist
5 March 2021 3:35pm

I can’t see my replies on your posts now, but I see other’s replies. Not sure why that is.

It think I responded to everyone’s: Carli, Jon, Jeffrey, Cary…

Jeannine Bardo
Artist
5 March 2021 6:19pm

9’s poem

Memory Blocks

Block #1 

Home since I was three
Dancing to the sounds of transistor radios in the guise of Pepsi cans
Stoop sitting with girlfriends in the heat
            Sustaining ourselves with Doritos and coke
                 Ogling Joey
                         humming to his music
                                    Betcha by Golly Wow
Finding a lakeside retreat for my Barbie in the thick roots of Lucy’s tree
Daylight hours filled with chases and fistfights and stick ball
Roller skates on freshly tarred streets and
            My gold-glittered, banana-seat bike made me magic
Nights of round up, sweat and dirt
Climbing fences and garage roofs 
Block parties with running races, and dancing
            Back again to repeat as a parent

Block # 2 

Grandma Coyle 
Dad’s home, 3 blocks away
Sunday dinners with pink castles       
            Stored in the musty cabinet
Aunt Elizabeth in the front room, lost in time
Grandma’s piano transforming every tune into ragtime
Grandma’s laugh, Grandma’s smile
Grilled cheese pizzas and chicken soup
Uncle John in the basement lost in “the drink” 
And the eyes of the blue-eyed Jesus always following me across the room

Block # 3 Treeless

Grandma Lynch
Mom’s home, 4 blocks away
Love and beer and money hidden in the pickled pig’s feet
Grandpa dying in his bed
Hot summer nights with the Honeymooners and boxing matches 
Everybody’s talking ‘bout me. Don’t hear a word they’re sayin…
            …I’m goin’ where the sun keeps shining through the pouring rain
My cousins a few doors down

Grandpa burning my hand with a hot teaspoon. Why was that funny?
Grandma’s clean laundry hanging over the fire escape, making sure it was fit for the neighbors
            “They talk. Don’t give them anything to talk about” 
Grandma keeping me safe, always. 

Block #4

School, 3 blocks away 
Taken by a fifth grader each day until I was old enough to go alone as a fourth grader
Plaid skirt, forgotten tie, sometimes forgotten PJ’s underneath
Forgotten pencil case, forgotten times table
But Jane and John and Spot led me to Little Women and The Sword of the Samurai
And Little Women and The Sword of the Samurai 
            and all the other books I took from the musty library 
                        made it just fine that I didn’t understand how to diagram a sentence
                                    still don’t
A talent for drawing gave me and my teacher a way out
            I could decorate for Thanksgiving, sitting on the windowsill and still listen to the lesson
Being invisible came in handy…at times
But the times when I knew…hand raised towards the tin ceiling
            ooh, ooh, ooh Call on me! 
                        Only the boys were seen

Block #5 

Paul’s block
A meeting on the way to a hated job
Another meeting on the way to a better job
            With a story about where this job was 
Made it possible for a meeting after work
            And another, and another
Paul’s block
            only three blocks away from home soon became my retreat 
            And then my second home 
We shared the dark apartment and fell in love 
One flight down
            The light filled apartment became our second home together
Jill was born in the light-filled apartment with Joanie and Ed above and Eddie and Lisa below
Built in baby sitters

Block #6

A big leap, but short-lived
Over a mile away from all my other blocks
An elevator to the 7th floor 
And space for Jill and soon, Michael
            a shared room off the kitchen
            with hand-painted flowers on the wall and a baby jumper in the door frame
A new carpet and an entry with room for a dining table
Lost Barbie shoes and meltdowns
A playground down the block under the exit ramp from the bridge
            Became a skating rink for weeks after a freak ice storm
My fears of the diminishing ozone layer 
             now accompanied by the creeping knowledge of a changing climate
And my two children are all I think about

Block #7

Back to the first block
            My first home of memories
In my Aunt Nellie’s apartment above my parents
            Now Grandma and Grandpa to Jill and Michael 
                        Built-in babysitters and memory keepers 
                                    and allies when parents don’t quite get it
7 rooms with a bedroom for everyone
Back to the first block
            now as a parent 
To sit on the stoop and watch my children
            And the children of my first friends 
                        Run and dance and fight and climb and grow 
Back to the first block 
            To suddenly lose my mother and watch my father age without her
Back to the first block 
            To watch myself and Paul age 
Even more worried about the changing climate 
My two children and their future children are all I think about 

Block #8

My studio 
9 blocks away 
A place for me
A place to make a stand 
A place to gather
A place for community
A place to process 
            Our changing world 
A place for ideas
A place to at least try something 
            anything

Blocks 1 through 8

Now I walk under the 8 phases of the moon
Within the limits of 8 blocks
that hold my memories 
I still have the moon
With each loss
            a person, a pet, a lifestyle, a false history, a youthful body
I still have the moon 
And these memories and these people speak through her
Reminding me of how small I am 
And how beautiful this world is
And how lucky I have been
                        

Kadie Kelly
Artist
5 March 2021 6:36pm
Reply to  Jeannine Bardo

Jeannine, this is a beautiful poem. The global as well as granular aspects of it – both, left me feeling wowed and like I want to say thank you. The way you expand your lines is great. Is there also a reason for the shapes that it visually creates? I see angles and waves, slants and suggestions of arrows. You have so many clearly stated emotional lines that I am convinced by the end that you should be grateful, which your final line states.

Jeannine Bardo
Artist
5 March 2021 8:17pm
Reply to  Kadie Kelly

Hi Katie, Thank you for your thoughtful response. It is interesting that you see shapes and now I see them too! I don’t think of them when I write, but I actually love that thought.

j o h n r o s
Prof
6 March 2021 10:59am
Reply to  Jeannine Bardo

block #2 — so vivid… so surreal in a way that is tangible and felt.

block #3 “Grandma’s clean laundry hanging over the fire escape, making sure it was fit for the neighbors
           ‘They talk. Don’t give them anything to talk about’
Grandma keeping me safe, always.”
— the anxiety… and fear… and love! 

block #4 — feels like a stress dream…

“Back to the first block” … sigh…

carli toliver
Artist
6 March 2021 9:06pm
Reply to  Jeannine Bardo

I so enjoyed reading your poem and being there, wherever there was. All the small details you provide were excellent and connected me to that location. I really loved the compression of all these locations and family members and the experiences and observations that made up those places – to then juxtapose all that with a watchful moon that you “have” is such a beautiful way to end the poem.

Tracy Holtham
Artist
7 March 2021 7:23pm
Reply to  Jeannine Bardo

Hi Jeannine

I liked the formatting of your poem, and how for me this has led to a sense of visual flow.

Block # 1
 – I like the use of indented lines, which has made me look at them, and any potential connections between them in a different way.

Block # 3 Treeless
– I’m intrigued about the title of this stanza, and its possible meaning. For me, this stanza is striking in its range of emotion.

Block # 4
 – I can relate to some of the forgotten items, and feelings around being invisible at times.

Block # 5
 – I enjoyed reading about the journey of relationship and family, the part different floors played, and sense of motion.

Block # 8
I still have the moon
And these memories and these people speak through her
 – These lines really resonated with me.

cary
Artist
8 March 2021 10:10am
Reply to  Jeannine Bardo

Hey Jeannine,
just found my notes and realized I hadn’t posted them.
I enjoy how the layout of the text creates a spaces on the page – the suggestion of a map we are moving through with you, around and between, back and forth. And yet it’s not random but guided by time and by narrative.
There’s a strong sense of family and neighborhood and I like how you’ve introduced the people we meet so that they don’t feel like two dimensional extras but a strong supporting ensemble cast in a set of interconnected/entwined generational narratives – each one with stories of their own that weave with yours. There’s something inviting or even tantalizing about that.
I like how we arrive at the last two stanzas to a stillness and contemplation on the journey you’ve taken us on.
Cary.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 9:16pm
Reply to  Jeannine Bardo

Jeaninne, I sent you feedback on your 9’s via email!

Tracy Holtham
Artist
6 March 2021 5:49pm

Hi Everyone

Sorry for the late submission.

Ways to Let Time Pass

1 – Apologies
For scribbling on things that were not meant for crayons   
For loosing track in maths    
For underestimating how long the painting would take       
For exhaling the letters of my emotions in each breath       
Is it alright if I pass through to get to the other side?         
If you can repeat yourself, as I didn’t catch you the first time?        
You can overtake me, I can’t walk faster than this   
I’ll try another card to see if that works instead       
Sorry I can’t concentrate, the world has changed, and my mind is a mess 
 
 
2 – Scents
Baby powder and faded memories   
Bubble bath with floating animals    
Rain, puddles, broken reflections, grey        
Seasons and rays       
Medicated cream in an amber jar (with unknown ingredients)        
Mini perfumes received in a box for Christmas        
The welcoming aroma of a coffee house      
Warehouse dancefloor night dunes and       
Freshly blown-out candles    
 
 
3 – Crystals    
Obsidian as it was the first crystal I felt truly connected to 
Rose quartz as a signifier for single self-love          
Jade as a balancing stone      
Tiger eye into the unknown  
Blue lace agate knits itself out to sea
Amber of the desert, one day it will be me   
Chalcopyrite for being grounded in awe       
Jasper – an autumnal medley
Aventurine, will you allow me to be seen a little more?       
 
 
4 – Initial conversations where it was the last          
Would you like to be my friend?        
Here is my landline number  
See you later  
I can give you a call next week if you are around     
It would be great to work on a project together       
You look familiar somehow   
I can relate to what you are saying   
I’ve been there too!    
You can find it on the first right after the traffic lights, adjacent to..          
 
 
5 – Ways to start again          
Turning the paper over and making on the other side         
Parents relocating     
Letting time pass and lie       
The commencement of another breath        
Finding a different set of friends      
The opening term in September again         
Listening to an unfamiliar album      
Moving to be near the sea     
Therapy.        
 
 
6 – Virtual guided meditations
My breaths keep leaping over each other     
How will I ever get used to this?        
Ah, I’m starting to feel still   
I can sense my feet on the ground   
My mind is being led to a more tranquil place         
My body feels twisted, but I am here
I can see a clearing and it feels right
I’m floating on various planes          
I’m back in the room, I’m here again.           
 
 
7 – Albums I’ve played on repeat     
Now That’s What I Call a large number        
Madonna – earlier times with bracelets and bangles
Ambient beats dancing into my youth          
Allowing my heart to scream and release alongside Seattle sounds           
Wondering what Bristol was like via the lure of trip hop tides         
Running away from myself to drum and bass          
Wishing I could be the lead singer in an acid jazz band      
Consuming samples, loops and found sounds        
Returning to rock when my mind was burning – needing to rest between the commotion.   
 
 
8 – Coats that have kept me warm in the winter      
Red small puffer jacket, with mittens threaded through the shoulders on elastic  
Pastel blue jacket with pine wooded toggles firmly in place
Dark green duffle coat with a fake-fur hood, slightly too large with a bright orange lining
A long grey coat where the collar wasn’t quite high enough
A 60’s woollen checked jacket in which I felt oh so cool    
The deflated black puffer jacket which I loved unconditionally
The knee-length polyester jacket which promised it was wool        
The camel-coloured coat, where the lining ripped over time for no apparent reason           
My vintage navy-blue coat which is ally in both casual and formal situations       
 
 
9 – Views of the sea
From the Victorian promenade seating, whilst eating chips in newspaper 
From the hinterland, on summer holidays in Wales 
From the car whilst driving to see the lights in Blackpool    
Through the window in the arcade, whilst feeding the one and two penny machines           
On foot when I went to university, where the breeze greeted me   
In Ibiza whilst visiting multiple turquoise surrounds
On a daytrip to Hastings when allowed        
In my dreams during the pandemic  
In my meditations at present

Last edited 3 years ago by Tracy Holtham
j o h n r o s
Prof
6 March 2021 6:29pm
Reply to  Tracy Holtham

glad you’re here! 🙂

1-For scribbling on things that were not meant for crayons
2-Warehouse dancefloor night dunes and
5-Listening to an unfamiliar album
— connecting to these senses… feelings… they are tangible.

4-Initial conversations where it was the last
— i feel this anxiety. 

7 – Albums I’ve played on repeat  
— was expecting a list… but this is so much more satisfying!

there is a finiteness to these all… they feel like islands. separate, but not alone.

Last edited 3 years ago by j o h n r o s
Kadie Kelly
Artist
6 March 2021 9:37pm
Reply to  Tracy Holtham

I felt enlivened reading your poem.
I enjoyed the rhythm of:
Medicated cream in an amber jar

I got most involved at stanza 4 – since it starts with will you be my friend? I had an immediate heart opening moment. Such a vulnerable and direct question. Each of the subsequent lines I read as if they were also gestures and invitations to form a friendship. And a sadness for knowing they weren’t successful. The lonely parts of me felt seen and held.

I also really enjoyed the following stanza about starting over. I could relate to it.
The coats stanza, also, took me on a journey of my own old coats and their linings and the stories surrounding the me who wore them. Their warmth and protection. And views of the sea with references to dreams and meditations. I loved reading your work here and look forward to more!

carli toliver
Artist
7 March 2021 12:19pm
Reply to  Tracy Holtham

I so enjoyed reading this and also found your creation with the nines really layered and unexpected. Loved following all the turns through Ways to Let Time Pass. I think I connected most to stanza four and five – at least on my first read through. The expectancy and fragility of stanza four – and also just the layered meaning of initial conversations that are the last as a way to think about “ways to let time pass” was really interesting to me. Your use of phrases that are so relatable and simple in their intention and in their usage was powerful in this stanza. Back in stanza three, I really liked the line – Blue lace agate knits itself out to sea. That line, for me, was particularly beautiful. I also really connected to stanza five – Parents relocating – two words and yet, I could relate; also forced me to think of that concept differently. Am looking forward to reading more of your words!

cary
Artist
7 March 2021 4:43pm
Reply to  Tracy Holtham

hey Tracy,
there’s a lovely gentle ebb and flow to this.
as I mentioned in other threads, I’ve been thinking about what goes in the 5th stanza and I love your placing ways to start again there and the momentum it creates.
I enjoyed the deftness of how you mention moving to the sea in 5 and then stanza 9 gives us a collection of sea memories. Which gives that earlier reference a new depth of meaning.
The vulnerability of stanza 4 is so tender and I found the coats then taking on a protective quality, reinforced by the vintage navy blue coat being an “ally”.
You had me smiling when after having listening to an unfamiliar album as a way to start again, you listed, albums I’ve played on repeat. That feels very real and wonderfully relatable.
mittens on elastic, wooden toggles, chips in newspaper on a Victorian promenade – a few of my favorite things and so nice to be reminded of them.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 9:21pm
Reply to  Tracy Holtham

Tracy! Sending feedback for your 9’s via email!

Kadie Kelly
Artist
7 March 2021 7:17pm

This is my collage for the journal entry assignment

Art-ing Across Genres Collage 1.png
Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 9:22pm
Reply to  Kadie Kelly

Thank you for sending this! I am going to see if I can make it bigger on my end. I love these colors and the solo person in the cosmos.
Prof. A.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 8:12pm

All,
I put the notes and the links in the INTRODUCTION section! My apologies! Let me know if you can read them all. If not, I will type them in this section.
Prof. A.

Kadie Kelly
Artist
10 March 2021 1:52pm

Got it! Thanks!