F455i SESSION 02

March 08, 2021 (LIVE CLASS SESSION)
*Memoir Poetry Part II: The Haibun

Join Zoom Meeting /
https://us02web.zoom.us/j/87582787841?pwd=RnFpdTJFTjh5Qll0dXNEbU04aCtmUT09
Meeting ID: 875 8278 7841
Passcode: ELL-write1

Some of our memories are fragments or are overshadowed or magnified by one particular part of the story. The Haibun is a poetic device which allows the writer to get right at the heart of the action or event they remember. It also is a considered a “hybrid” poem because it is made of nonfiction, and poetry and the poetry aspect is either a Haiku or Tanka. In theory the Haibun visually looks like a popsicle or a picket sign.  Think a big square chunk of writing with a skinny vertical rectangle at the end. The big chunk in the Haibun is composed on NONFICTION. No more than 1-2 paragraphs. The nonfiction component must be told for the first-person point of view, must be your memory and it starts from the action. Unlike an essay or novel, there is no lead up to the action. The Haibun ends with a Haiku or Tanka. The job of the Haiku or the Tanka is to add texture or layers to the nonfiction piece or leave the reader with more information or questions.

Notes/Definitions to keep in mind:

Tanka: A poem consisting of 5 lines and 5 syllables on the first line, 7 syllables on the second line, 5 syllables on the third line, 7 syllables on the 4th line and 7 syllables on the 5th line. (5, 7, 5, 7, 7)
Line one 5 syllables
Line two 7 syllables
Line three 5 syllables
Line four 7 syllables
Line five 7 syllables

Haiku: A poem consisting of 3 lines with 5 syllables on the first line, 7 syllabus on the second line, and 5 syllables on the third line. (5, 7, 5)
Line one 5 syllables
Line two 7 syllables
Line three 5 syllables

Writing Prompt:
Write a Memoir Haibun

*Due to group (Online Studio 3/12)
*Feedback from group members(Online Studio due 3/14)
 

Weekly Homework:

Journal Entry #2
*Shared in class

Sketch Entry #2
*Shared in class
*Ongoing journal assignment weekly “obsession.”

In class we will discuss personal memories, historical and shared memories, share stories, debrief “The 9’s poem,” talk about the Haibun as well as “Hybrid” and multi-genre writing. If possible, please bring an item that is important to you that fits inside your hand or fits inside the “square box.”
 

RECORDED CLASS SESSION /


 

PLEASE NOTE: It is best to write your material on your own document, then copy and paste into the Online Studio. If you are writing, then happen to leave the Online Studio page by clicking a link or looking something up, your text might be lost! It’s good to get into the habit of opening different tabs in your browser when writing in the Online Studio to preserve your submission.
 

Discussion

  • jeffrey martin: I love your use of song here. It was so wonderful to...
  • jeffrey martin: I love your description of this moment as a filmmaker/archivist. They read...
  • jeffrey martin: Your 2nd one... I felt all of that... it also looks like...
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Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 9:29pm

Thank you for such a lovely second class and first in-person session! Thank you for sharing and being open to write! As promised a whole list of things! I will then send a separate post for the virtual tour etc., of my show at the Frye for those of you who were curious about how I incorporated text, poetry, video, paintings and items.

  1. Finish the “Memoir” Haibun
  2. Write another Haibun with a different theme (childhood Haibun, social justice Haibun, artist Haibun, music Haibun, love Haibun…).
  3. Revise the “9’s” poem
  4. Begin your “Obsession” for the week. Be sure to take notes about your process and progress.
  5. BONUS, pull a stanza from your 9’s poem and add/shape it into a Haibun.

Exhibit Links:
3-D Virtual Tour (If you are short on time, just pay attention to this one!)

https://fryemuseum.org/calendar/event/7525/

Exhibition Close Up

(Don’t be Absurd) Alice in Parts full Virtual Opening 

Kadie Kelly
Artist
10 March 2021 1:37pm

Your work is amazing. thank you.

Anastacia-Renee
Prof
Anastacia-Renee
12 March 2021 4:37am
Reply to  Kadie Kelly

Thank Kadie. I feel honored to be around some “real” artist. 🙂
Prof. A.

Kadie Kelly
Artist
12 March 2021 3:19pm

You must feel honored all the time – because you are that “REAL” artist.

Kadie Kelly
Artist
12 March 2021 3:20pm
Reply to  Kadie Kelly

PS you are making me want to plan a trip to Seattle and see it in person.

Anastacia-Renee
Prof
Anastacia-Renee
15 March 2021 9:12am
Reply to  Kadie Kelly

Come visit!

Jeannine Bardo
Artist
12 March 2021 12:36pm

I am amazed at how you’ve created Alice and gave us her stream of consciousness thoughts, her constant conversation with herself and the mundane mixed with the daily fears. At first it was irritating to me because it was such an onslaught, but as I stayed with Alice I started to feel connected to her and to feel empathy and sympathy for all of her issues. Gun shots, displacement, self care…and then to find out she has cancer gnawing at her brain. Devastating.

Anastacia-Renee
Prof
Anastacia-Renee
15 March 2021 9:14am
Reply to  Jeannine Bardo

Jeannine,
Thank you for sticking with Alice through her rant!

j o h n r o s
Prof
13 March 2021 8:49am

so wonderful to see… wish to be there in person.

alice is so powerful! … as someone who occasionally snacks on their nails… i loved, “am i a cannibal? am i a fucking cannibal?”

are the lorde’s ten commandments a thing from her? or is this something you wrote… i’m not familiar, but LOVE THEM!

so good. thank you!

Anastacia-Renee
Prof
Anastacia-Renee
15 March 2021 9:16am
Reply to  j o h n r o s

Thank you so much ! 🙂
The “Lorde’s Commandments” are a combination of wisdom from Audre Lorde collected from about 10 of her essays and poems. Because “Alice” worships the Lorde(Audre) she abides by these commandments.
I wrote them and made them a list, but again they are paraphrases or lines from Audre Lorde.

cary
Artist
14 March 2021 3:55pm

This kind of immersive mixed media mixed genre installation work is what excites me more than most and this… makes me feel what I imagine my cat feels like if he rolls in cat nip.
I know I’ll be returning to this again and again. Oh to be inside that space for an hour (at least) and just absorb it all and see how the elements interact. It’s so beautifully textured.

Tracy Holtham
Artist
14 March 2021 3:59pm

This is so powerful – I’ve been very moved by your work.  

Anastacia-Renee
Prof
Anastacia-Renee
15 March 2021 9:17am
Reply to  Tracy Holtham

Tracy, thank you so much.
Prof. A.

Anastacia-Renee
Prof
Anastacia-Renee
18 March 2021 6:50am
Reply to  Tracy Holtham

Tracy, check your email for feedback! And thank you for spending time with my work.
Prof. A.

Anastacia-Renee
Prof
Anastacia-Renee
8 March 2021 9:33pm

The Writing Prompt (aside from Haibuns) was to write down the process of how you remember. 🙂

j o h n r o s
Prof
9 March 2021 12:53pm

in my intro i forgot to mention why i am taking this course… i took a creative writing course in undergrad and fell in love. i have always been attracted to writers … a feeling strengthened during my time at the vermont studio center (both as a resident and an employee). i like to write and find myself going more poetic. i find writing very hard. i really want to work with prof a… and all of you. writing together seems so bad ass for some reason!

i also wanted to share my work from yesterday… needs work (which i will update later in the week) but felt like i wanted to share this in the vain of having written it “with” all of you yesterday…

so excited to continue to get to know you all.

Kadie Kelly
Artist
10 March 2021 1:00pm
Reply to  j o h n r o s

john, I am right there with you about feeling strengthened being with other writers and creators. I look forward to what you post. i’m curious about the vermont studio center experience as well that you mentioned. I’ve always wanted to visit vermont. I have a bit of family history there.

j o h n r o s
Prof
11 March 2021 1:58pm
Reply to  Kadie Kelly

the vermont landscape is gorgeous… what it lacks in diversity of food and people it makes up for natural beauty and clean air. its a fairly queer place place, but again, the queer community is predominantly white. worth a visit. as a state, it has a live and let live mentality… but also cares for its people in a more socialist way than other states i loved… i had full healthcare when i lived there in 2006…

vsc is a good place. it’s all about the residents and connections you make. i had a good time there as both a resident in feburary 2002 and a artist/employee in 2006. its not cheap to go, but they have three full fellowship deadlines and there are also work study programs that make it a bit more affordable. as (i think it is still) the largest residency in the states… you get a good mix of artists and writers… its a good time.
https://vermontstudiocenter.org/fellowships

Kadie Kelly
Artist
11 March 2021 2:27pm
Reply to  j o h n r o s

Thanks for sharing that about the state and the program, which I will check out. 8 generations back, my grandfather was the first Governor of the state, Thomas Chittenden. I have lived in Oakland since 2005 when I came here to go to Mills College. I have mixed race kids (teens now) so its always been important to me to stay in diverse areas. But, I hope to visit there one day.

Anastacia-Renee
Prof
Anastacia-Renee
12 March 2021 4:44am
Reply to  j o h n r o s

I haven’t been yet and want to go!

Kadie Kelly
Artist
10 March 2021 1:04pm
Reply to  j o h n r o s

I just saw your attachment and read your haibun. I enjoyed the presence of plantains (yum) and the mix of scents and the dreamy like mysterious ending.

j o h n r o s
Prof
11 March 2021 1:48pm
Reply to  j o h n r o s

here is the original and the rewrite memoir haibun.

carli toliver
Artist
13 March 2021 12:40pm
Reply to  j o h n r o s

I also was really drawn to the lines “the smell of “ta” filled like flannel wrapped warmth” and “chanel no. 5 and corn oil thick kitchen walls like plantain skins.” I love this complex and layered way of communicating so much in a condensed way. I also liked the first few sentences, how you capture the proces and transition of what is happening, with movement/stopping/stillness juxtaposed. All the sights and smells and people add layers onto this process, sort of holding it, holding “vigil.” So beautiful.

cary
Artist
14 March 2021 11:12am
Reply to  j o h n r o s

I’ve so enjoyed sitting with these words, Jon – there’s such tender quality here – both the memories themselves and in the word choices and textural detail – so full of care.
I thought the use of the word nursed, nursed green to black — sweet. soft. was particularly effective in the rewrite. Thanks for sharing the two versions. It’s great to get a glimpse of that process in action and the subtlety of it.

Tracy Holtham
Artist
14 March 2021 4:36pm
Reply to  j o h n r o s

she laid there — air gasping. animated and paused — heading toward still. stop.
– I found this line particularly moving. The combination of animation and paused stood out for me, with the contrast between movement and stillness.

whiskey in hand. it was her drink. two fingers… no more, no less.
– This imagery is so vivid to me.

channel no. 5 and corn oil thick kitchen walls like plantain skins.
-I also like the contrast within this line, which I found powerful.

ordering boxes
filled memories forgotten
notes reminding us
like archives form tomorrow
– I can relate to these lines, and the concept of the past informing the future. 

Jeannine Bardo
Artist
12 March 2021 12:49pm
Reply to  j o h n r o s

Sigh! I was there with you. The smells, the wait, the woman who meant so much, the loss.

“the smell of “ta” filled like flannel wrapped warmth this February night. Chanel no. 5 and corn oil thick kitchen walls like plantain skins”

AMAAZNG line! I feel it and smell it and see it.

I wrote of loss, too, John so I don’t know if I am a bit more sensitive to your writing, but it moved me deeply. Hugs

Anastacia-Renee
Prof
Anastacia-Renee
18 March 2021 7:16am
Reply to  j o h n r o s

John! I sent you feedback on your class Haibun!
Prof. A.

jeffrey martin
Artist
26 March 2021 12:14pm
Reply to  j o h n r o s

The way grief and memory were depicted here was so vivid. The kitchen wall description was very film like for me and made me think of Caribbean versus NYC.

Kadie Kelly
Artist
10 March 2021 4:01pm

I’ve been working on a few Haibun’s. Here is one. I will post another from a fictional POV this week too.

j o h n r o s
Prof
13 March 2021 8:54am
Reply to  Kadie Kelly

the concrete nature is so interesting… the formality (and bureaucracy) of a name change felt in the physical along with the lyrical.

carli toliver
Artist
13 March 2021 12:53pm
Reply to  Kadie Kelly

The formal language following the asterisk was a very interesting choice and made me think differently about naming and the process of naming. Your use of the asterisk also then made me think about where you could have used it and where you chose to use it. What if you put it after “object” or “hate” or Intention”? So that also gave me something to reflect on – in “seeing herself” I thought about children as mirrors or sometimes a site of lots of projection. Also, the effort in that first sentence, trying, and how that was connected to the action of name change.

Kadie Kelly
Artist
15 March 2021 12:39pm
Reply to  carli toliver

Thank you so much for your thoughtful feedback. May I ask, how did it make you think differently about the process of naming? Super curious. 🙂

carli toliver
Artist
15 March 2021 1:46pm
Reply to  Kadie Kelly

I think what I mean is just the concept of self-naming. That its a process we can undertake ourselves. So your decision to use language that is very formal (like what a government or official office uses as the mediator or giver of that name – what I imagine would appear on a form/paperwork once the process is complete) was a technique that made me think differently about naming. My mind went to the contractual, legal, negotiation of self-naming that we can enter into as adults (kind of like marriage). And maybe that self-naming originates in a personal, intimate, spiritual place – but then the use of that formal language means it moves into a legal/contractual/governmental sphere as one way of making it “real.” Which is not to make any judgement on that reality – it’s more just a way of looking at the many-sidedness of authenticity, which is another word you use. Like, the spiritual/intimate and also the political or the formal/legal. I also felt the intention of like lengthening that formal language out like a long string – which kind of played with its formality as well.

Kadie Kelly
Artist
15 March 2021 1:53pm
Reply to  carli toliver

Hi Carli, Thank you so much for answering me so generously. The way you expanded, that you put your energy into my question in this way is meaningful and actually quite moving to me.

carli toliver
Artist
15 March 2021 2:13pm
Reply to  Kadie Kelly

You’re welcome! 🙂 I’m drawn to the change of name/self-naming/many names. bell hooks, Toni Morrison, Nikki Giovanni, even Audre Lorde I think changed the spelling of her name from Audrey (I think) – even if it’s something small, it has always seemed like a very revolutionary, autonomous act of I AM that appeals to me.

Kadie Kelly
Artist
15 March 2021 2:29pm
Reply to  carli toliver

Yes! I have had so much shame around my full given name that I always try to avoid letting people know what it is, therefore, I haven’t shared that I have officially changed it with very many people.

Getting this kind of “witness” from you in these comments feels profound.

so much yes to the “small”*, authentic, revolutionary, autonomous acts of I AM.

*I could have left the “t” a “t”. But I see a lower case d as a music note, and wanted that present. <3

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 3:49am
Reply to  carli toliver

In my name change I stepped into a name that was given to me at birth (Anastacia) and then to spite my father my mom named me a variation of that name (stacey) and it wasn’t until I was in my thirties that I began to fully step BACK into Anastacia (after getting my moms approval) which seems so silly now but it really did hold a lot of weight. I believe we are all naming and renaming ourselves several times in our lifetime. I asked once if you could name yourself and like magic all the paperwork could be done etc., etc., what would that new name be? Especially if one believes names hold energy. What is the energy you want people calling out that is attached to you? So many questions!

cary
Artist
14 March 2021 11:29am
Reply to  Kadie Kelly

Have been working on a collaborative project recently in which the theme of “the power inherent to naming things/others/ourselves” has come up, so your work here feels particularly resonant. The structure and words working together is arresting.

Kadie Kelly
Artist
15 March 2021 4:53pm
Reply to  cary

Thank you Cary. I would be curious to know more about your project sometime.

Tracy Holtham
Artist
14 March 2021 4:54pm
Reply to  Kadie Kelly

Try to help mom see herself.*
– I found this line really intriguing, especially with the use of the asterisk. I also found the repetition of words highlighted a sense of pace and movement to the feelings.

Intention: For our authenticity to 
thrive with each other.
 – I felt the strength and meaning in these words.

– I first thought the list was a list of names. When I realised it was names and the process and location of the name change, I thought this was really effective. It drew me in. 

Kadie Kelly
Artist
15 March 2021 4:55pm
Reply to  Tracy Holtham

Thank you Tracy. I can see why you would think that about the names being a list, now that you say that. I hadn’t thought of that. But I’m glad it did end up coming across hopefully as my given first, middle and last names. Did it?

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 3:08am
Reply to  Kadie Kelly

Kadie, I sent feedback to your email!

Prof. A.

jeffrey martin
Artist
26 March 2021 12:15pm
Reply to  Kadie Kelly

The Visual of your words look like a shaving razor you are using to liberate yourself. As a person who has done a name change like this, this resonates with me

jeffrey martin
Artist
26 March 2021 12:16pm
Reply to  jeffrey martin

Your 2nd one… I felt all of that… it also looks like a paintbrush from a image perspective

Kadie Kelly
Artist
10 March 2021 4:35pm

This is from my childhood perspective.

Kadie Kelly
Artist
10 March 2021 4:42pm
Reply to  Kadie Kelly

This is from childhood /adolescent perspective

Jeannine Bardo
Artist
12 March 2021 12:59pm
Reply to  Kadie Kelly

Wow Kadie the first one was so ominous and the second one explained it but still had a heaviness to it although it was the origin story and it had the dreaded feeling of being different and humiliated and newly aware of living in a sinister world. So many emotions in one moment!

Kadie Kelly
Artist
15 March 2021 4:21pm
Reply to  Jeannine Bardo

Thank you Jeannine.

j o h n r o s
Prof
13 March 2021 8:57am
Reply to  Kadie Kelly

intense memory… that anxiety of the middle school classroom. i remember it like it was yesterday. trying my damnedest to melt into obscurity. 

Kadie Kelly
Artist
15 March 2021 4:25pm
Reply to  j o h n r o s

Thank you for describing the emotional impact it gave you, johnros.

(I love the way you have combined your names)

cary
Artist
14 March 2021 11:41am
Reply to  Kadie Kelly

Kadie, your work is helping me see the flexibility of this form – how you can take one theme and explore it across multiple genres with very distinct effects. The emotion here is markedly different to the first haibun. And a great example of how to throw the reader into the midst of the action and feel with you. The casual cruelty and anxiety are so palpable.

Kadie Kelly
Artist
15 March 2021 4:23pm
Reply to  cary

Thank you Cary. I appreciate the way you give me feedback on several different levels and reflect back and describe how it impacted you.

Tracy Holtham
Artist
14 March 2021 7:22pm
Reply to  Kadie Kelly

I am moved by your haibun. For me, the scale of the forms adds to the intensity – I can relate to the feelings. The two pieces individually, and together are powerful.

Kadie Kelly
Artist
15 March 2021 4:26pm
Reply to  Tracy Holtham

Thank you Tracy for pointing out the effect of the scale here and sharing you can relate to the feelings.

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 5:13am
Reply to  Kadie Kelly

Every Haibun I have read so far has struck me in some way when I think about my memories. The greatest thing a memoir Haibun can do is to allow someone else to sort of “tap in” even with individual and unique experiences. The personal memory then becomes the collective personal.
Prof. A.

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 5:11am
Reply to  Kadie Kelly

Kadie, I sent you feedback on this Haibun via email!
Prof. A.

Jeannine Bardo
Artist
10 March 2021 5:00pm

Thank you for all of these amazing prompts! This class is definitely becoming a journey!
Here is my “Memoir” Haibun

Why should I cry?

I remember making stars in my studio. Binding canvas, unfolding it, rubbing it with the soft- smelling oil sticks and pouring blacks and blues and powder that bled to purple. I remember I left before the stars were formed and while driving home thinking of them…stars, novas, spirals, neurons, synapses, vessels bursting, strokes. I remember seeing my mother come home early. Or did I? Did I see her in the alley with her friend Brenda who never came to our house before? Did Brenda tell me then that she took my mother home because she was worried about her? Or did she tell me the story at her funeral? No! I DID see them both in the alley because I remember hating myself for not checking in on her before I went to bed. Now I know that was when she started disappearing, when I could not bring her to mind as a memory. She started disappearing when her vessels were bursting and she said she needed to rest, but not before thanking Brenda. That last moment I had with her as my mom is foggy, like ALL the other times I had with my mom. They were never foggy before that day. The day I formed the stars and my mom’s vessels burst. Why do I remember so well thinking of stars and neurons and vessels bursting, but I can’t recall her face that day? Why did my memories of her begin to die that day along with her brain? Why do I remember the calls from my father at five in the morning and her lying on the floor rattling, face down, but I can’t remember her face that day or any other day or her laugh or her hug or a moment with her? Why does she not come to me when I conjure up a memory? If I had memories to worry about I could understand hiding them away, but I truly loved my mother and after nine years I still struggle to find her. I do remember that I also lost my tears that day, too. Crying does not come easily any more. It is short lived. I used to like to cry. It made me feel better. It always felt right to cry when I was sad, but did I steel myself or did I just step into a new stage of life? Is this normal? I do remember seeing my mother cry over the sink the day her mother died. So I do remember some things. A good friend told me at her funeral, “She gave you wings and now it is time to soar” 

I forgot to cry

Maybe I absorbed her heart

I am crying now

Maybe I absorbed her brain

Maybe she is with me now

Kadie Kelly
Artist
12 March 2021 3:31pm
Reply to  Jeannine Bardo

specific parts I loved:

-I remember making stars in my studio.

-…pouring blacks and blues and powder that bled to purple. I remember I left before the stars were formed  – OMG gorgeous

-The day I formed the stars and my mom’s vessels burst.

And I loved this line extra:
 I used to like to cry. It made me feel better

So tender and affirming. (I cry a lot and sometimes I feel ashamed)

Thank you for this beautiful work about transition. So lovely.

Jeannine Bardo
Artist
13 March 2021 9:52am
Reply to  Kadie Kelly

Thank you Kadie. The parts you pulled out will help me edit. I like the way they go together and condense the writing.

Kadie Kelly
Artist
13 March 2021 8:31pm
Reply to  Jeannine Bardo

You are welcome!

j o h n r o s
Prof
13 March 2021 9:35am
Reply to  Jeannine Bardo

stars novas and spirals connected to neurons synapses and vessels… maybe more can come from these places? also, the imagery of stars overhead is powerful. that imagery could be cemented more maybe?

loved the thought of, “seeing my mother cry over the sink the day her mother died.” … that connection really resonated… somehow back to stars.

carli toliver
Artist
13 March 2021 1:04pm
Reply to  Jeannine Bardo

I really resonated with this poem for many reasons. I loved the combination of stars, novas, spirals – your act of creating these things being what you remember – but also the idea that these are entities in the sky, at a distance, always there and how often do we forget the stars as we live our lives? I think I resonated with this sense that the things we are closest to, we remember least, maybe because they are us/we are them. Just really enjoyed and felt this meditation, rumination.

cary
Artist
14 March 2021 12:20pm
Reply to  Jeannine Bardo

I’ve so enjoyed sitting with this – i think it was carli who described it well as a meditation.
Read as a meditation, on mourning and the unreliable nature of memory – its fogginess – i felt deeply the diffuse nature you evoked here – of how/what we remember, recall and forget, the frustrating insufficiency of our ability to control the process of remembering.
So that arriving at the tanka, the line, I forgot to cry is found brimming with possible layered meanings. Not “didn’t”, not “couldn’t”, but forgot.
I find that so effective. Those five syllables alone offer so much on which to meditate.

Tracy Holtham
Artist
14 March 2021 8:00pm
Reply to  Jeannine Bardo

Why should I cry?
– This line really made me contemplate.

I remember making stars in my studio. Binding canvas, unfolding it, rubbing it with the soft- smelling oil sticks and pouring blacks and blues and powder that bled to purple.
– I like the way the words flow into each other, which for me adds to the pouring motion and creation of stars on the canvas.  

I remember I left before the stars were formed 
– For me this line is powerful – I can relate to it.

Crying does not come easily any more.
– I was struck by this line, as can also relate to this.

“She gave you wings and now it is time to soar” 
– This is beautiful.

– I was also moved by the tanka. For me it emphasised a sense of presence and circularity – the orbital nature of life and stars.

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 6:50am
Reply to  Jeannine Bardo

Jeannine, I sent you feedback via email!
Prof. A.

jeffrey martin
Artist
26 March 2021 12:17pm
Reply to  Jeannine Bardo

I love your description of this moment as a filmmaker/archivist. They read as descriptions for the actor to take in before stating those lines. in your haibun

j o h n r o s
Prof
11 March 2021 1:50pm

here is my fictional haibun (i don’t now about this one… HA!) i would not typically write about this sort of thing… which is why i pushed through.

and the writing prompt: how do i remember…

smell… sound… taste… something pressing on my skin. these moments typically initiate a memory. at other times things flood my consciousness as if to infiltrate every aspect of thought — no matter how much i try to shake it, it does not recede. — this causes anxiety sometimes. memory typically comes in bits. small nuggets. fragments. i sometimes fill in the gaps with daydreams… other times i can remember what happened… or at least what i think happened.

Kadie Kelly
Artist
12 March 2021 3:53pm
Reply to  j o h n r o s

Aw, bi-color louise, connie, who’s a cat, I feel all connected to now.

cary
Artist
14 March 2021 12:28pm
Reply to  j o h n r o s

I find Tuxedo domesticate satisfying to enunciate. 🙂

i resonate strongly with how you describe the remembering process here —

things flood my consciousness as if to infiltrate every aspect of thought — no matter how much i try to shake it, it does not recede. — this causes anxiety sometimes. memory typically comes in bits. small nuggets. fragments.

Yep.

Tracy Holtham
Artist
14 March 2021 8:24pm
Reply to  j o h n r o s

writing prompt: how do i remember…

memory typically comes in bits. small nuggets. fragments. i sometimes fill in the gaps with daydreams… 
– I can relate to these lines a lot.

2nd haibun

i used to play with my sister in a small space. i was tiny. she was the feisty one. 
– I like the scale in these lines. For me there is a sense of shrinking and movement with the second line – like an ariel view which quickly zooms out, making things look smaller in scale.

i used to get scared of noises that i could not see. 
– I can relate to this.

i am not quite sure what all of this is, or where i am, but i am comfortable and safe and it’s not so bad. 
– I like these metaphysical ponderings.

tuxedo domesticate 
– This is a great description.

but at first we called her cat 
– I like the candidness of this line. 

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 7:39am
Reply to  j o h n r o s

I sent feedback to you via email!
Prof. A.

j o h n r o s
Prof
19 March 2021 6:18pm
Reply to  j o h n r o s

fictional haibun re-write after prof a’s thoughts…

Kadie Kelly
Artist
11 March 2021 2:17pm

April 1 and April 12, 1990
This is the POV of me as a preteen

I am noticing these haibun’s are more in the style of documentary poetry/prose. I may be taking too many liberties here. But what I like about the concrete shape of the poem is it reinforces what I see as a handheld mirror. With the Haibuns I am posting this week they are meant to help me and my family hold them up, see ourselves, see our own reflection.

j o h n r o s
Prof
13 March 2021 9:41am
Reply to  Kadie Kelly

“I was crying just like I am now. But much harder” loved this connection through time.

Kadie Kelly
Artist
15 March 2021 4:28pm
Reply to  j o h n r o s

Thanks. I had not thought of it that way! I lifted the words from a journal entry from that day. But it does create the idea that it connects even into the present.

cary
Artist
14 March 2021 12:38pm
Reply to  Kadie Kelly

I liked seeing how you placed the dates here. And again, you take us straight into the action and the emotion with no messing around. It’s interesting how that immediacy creates energy & brings a moment to life.

carli toliver
Artist
11 March 2021 8:58pm

sharing my memoir haibun. This form was challenging and am not sure I’m doing it “right.” But was really hard/interesting to play with form in this way and kind of figure out a path through it. Definitely will return to this piece.

Jeannine Bardo
Artist
12 March 2021 1:22pm
Reply to  carli toliver

Carli, it is hard for me to reflect on this because it is so beautifully haunting and you found only a few words that encompass so much. I want to talk about how you describe your body and women’s bodies as rivers and how you describe your experience but your words make it difficult for me to find words because your words are enough and they are everything, life, death, time, beginning, end…

carli toliver
Artist
13 March 2021 1:06pm
Reply to  Jeannine Bardo

Thank you. This is a haibun I could rewrite many times and an event I have started writing about more recently. I definitely feel an activist haibun waiting in there as well. Am grateful for this space to share it.

Kadie Kelly
Artist
12 March 2021 3:34pm
Reply to  carli toliver

I have been thinking a lot about motherhood the last few days so I was primed for your Haibun. It makes me want to dive into a mini obsession of the myths and symbolism you are using, which I find mesmerizing. Thank you for sharing this!

carli toliver
Artist
13 March 2021 1:08pm
Reply to  Kadie Kelly

Thank you! I love myth. One of my favorite writers, hd, a poet, uses myth as a mask – many writers do, just she was one of the first I found and latched onto. There’s a lot of myth going on in here but as a “mask” it is comforting in a way and also brought me to another meaning as I was writing it.

Kadie Kelly
Artist
15 March 2021 4:31pm
Reply to  carli toliver

That is really cool. It does add another if not multiple other dimensions and meanings, possibilities, places. Very exciting.

cary
Artist
14 March 2021 1:16pm
Reply to  carli toliver

I don’t know what the “right” way to do this is, or if there is one, but I find this piece really powerful.

my body bowed down to itself
i don’t know I have a response to that line beyond swearing in admiration.

There are some gorgeous, deft repeating vowel sounds i hear: Poured, royal, slaughter, court, primordial… the language just… flows forward so well.
And I love the contrasting clinical S’s and T’s of stainless steel hospital room table.

The mythic references are so rich and I can see why you want to return to this. It feels full of potential for exploration.

Jeannine Bardo
Artist
15 March 2021 5:15pm
Reply to  carli toliver

AGAIN I am at a loss for words because of your words. There is so much to wrap my head around. You so beautifully weave in and out of emotion and metaphor that they become one and the same and I easily become a part of it. You create this understanding of so much in so few words and I came out of it feeling like you connected me as the reader to everything. You shift through nature and time and you have their language and I understand completely. You and Luna are the tree and the ocean and the wind. We all are.

SO many beautiful moments!
-If she stays here and becomes a teacher she will be easier to love. She will be permanent. With roots planted I can circle her like the weather. Wash her shores with my forever waves.
-She will remain the island and I the sea. Forever blue, forever young, I’ll lap at her feet, circle her roots, her leaves, her fruit. My clouds will scud across the skies, my hot summers will bake the sidewalks, the storefronts, the row homes packed onto blocks. My cold winter winds will tunnel the concrete streets and cut the knife edge of every empty corner.
-Perhaps one day I’ll step off the wind.

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 7:44am
Reply to  carli toliver

Carli, sending you feedback via email!
Prof. A.

jeffrey martin
Artist
26 March 2021 12:18pm
Reply to  carli toliver

I love your use of song here. It was so wonderful to get something contemplative in Spanish as part of your Haibun than English.

carli toliver
Artist
11 March 2021 9:36pm

attached is my “how do I remember” writing prompt 🙂

Tracy Holtham
Artist
14 March 2021 8:49pm
Reply to  carli toliver

memories that are competing with the novel, running parallel, hoping to be chosen.
-I like the physicality and emotional nature of this line.

Sometimes I remember when I am writing in the morning and all of a sudden the memory is writing itself.
-I can relate to this – for me sometimes it is as if memories have their own sense of autonomy. 

The feeling is usually the thing – coming out of school early and him standing across the street, where it dead ends.
-This is a powerful image to me – I can feel and relate to the sense of hope and finality.

Anastacia-Renee
Prof
Anastacia-Renee
12 March 2021 4:43am

Greetings All,
I cannot wait to dive in and read all your amazing writing! I hope you have fallen in love with the Haibun too! No pressure and no deadline, below a few more writing prompts for the weekend should you desire to use them:

  1. A Haibun for letting go.
  2. 9 Haibun’s themed as a 9’s poem, but in Haibun form. For this one you can also take one of your 9’s stanza’s and talk at length about it.
  3. A Haibun for the color Red, Orange, White or Black.
  4. A Mixtape to describe your week.

This weeks questions (no pressure to answer them)

  1. What are you reading this weeek.
  2. What have you obsessed/researched this week?
  3. What has been feeding your creative side this week?
carli toliver
Artist
12 March 2021 1:43pm

Adding a fictional haibun. I didn’t use a tanka or haiku, I went into the more freeverse direction with this one.

Kadie Kelly
Artist
12 March 2021 3:40pm
Reply to  carli toliver

Mind blown! I am listening to the song now. I love what you did there. 🙂

Kadie Kelly
Artist
12 March 2021 3:44pm
Reply to  Kadie Kelly

So many wonderful lines and ideas here I am still marinating on…

carli toliver
Artist
13 March 2021 1:09pm
Reply to  Kadie Kelly

I have been obsessed with this song for two weeks! I listen several times a day and so it was fun to make it work here. 🙂

Kadie Kelly
Artist
15 March 2021 4:34pm
Reply to  carli toliver

There was a warmth and happiness to it – It was like being called into the sunshine to dance.
It was like a reminder of fun. That felt even so sad – given we can’t really go dancing like we used to be able to. Still, I was transported, and imagined being able to dance and it made me look forward to maybe learning to salsa some day, and being able to traveling too.
It eclipsed the other part of the poem for me. I don’t remember what it was about. But I know I want to go back again and revisit it. It was very rich.

Kadie Kelly
Artist
15 March 2021 7:42pm
Reply to  Kadie Kelly

Rereading your first section. Um, I am speechless because it is so beautiful.

j o h n r o s
Prof
13 March 2021 9:50am
Reply to  carli toliver

oy vey! 
so much meat here! … like rooted in ground and walking firmly through mucky hardened earth.

“I’ll lap at her feet, circle her roots,her leaves, her fruit”
*sigh*

Yesterday’s newspaper!!! 
Que te pasa estas llorando tienes alma de papel
so gorgeous! a paper soul! 

carli toliver
Artist
13 March 2021 1:12pm
Reply to  j o h n r o s

yesss!! Been obsessed with this song. But then when I read the lyrics in translation I was like, ok, stop it. I love this song so much more now.

cary
Artist
14 March 2021 1:26pm
Reply to  carli toliver

So much fun reading this and listening to the song. Lovely stuff.

circle her roots, her leaves, her fruit – more gorgeous internal vowel rhyming. 🙂

Tracy Holtham
Artist
14 March 2021 9:46pm
Reply to  carli toliver

The island of other homes, temporary rooms, will suffice because I cannot offer her my own. 
– To this is a compelling line, as could be seen to encapsulate the meaning of the haibun.

If we just stay here and keep talking, this night will never end and we’ll never begin. 
– I can relate to the paradox.

-For me, the two characters are metaphorically represented in contrast by the island and a more city-like space, which I found interesting.
 
-I found the use of the lyrics highlighted a feeling of looking back, which may occur when reflecting on potential relationships or connections. Also, how yesterday’s news may seen to be real in the moment, but can sometimes become fiction over time, or viewed as unreal afterwards. I found their inclusion a welcome invitation to listen to the song – I liked this process.

Kadie Kelly
Artist
15 March 2021 7:42pm
Reply to  carli toliver

Rereading your first section. Um, I am speechless because it is so beautiful.

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 8:03am
Reply to  carli toliver

Carli, check your email for feedback!
Prof. A.

cary
Artist
12 March 2021 1:46pm

Hey everyone,
Great to see all your creating!

Alright. This’ll be a series of attachments over a couple of posts:

  1. PDF: i paired my Memoir Haibun with a history Haibun to make a set. Still a work in progress.
  2. Photo: journal page (i always journal by hand) on remembering
  3. PDF: Revised 9s poem – based on a suggestion by Prof. A. To try switching the 1st and 9th stanzas. (I still think i prefer the original sequence but it was useful exercise nonetheless)
cary
Artist
12 March 2021 2:08pm
Reply to  cary

Journal work: this week’s obsession…

Attached photos:
(1-3) my journal pages on the process. Or to be more accurate – a bit of the process. I tried loading these into a document file but something glitched so these’ll have to do as a snapshot.
(4) the typewriter i”ve been cleaning all week.
(5) first typed page on the typewriter – a version of my haibun set

(6) m4a file: This obsession process spun off in a couple of different directions that went down a deep musical rabbit hole thinking about poetry/ poetry set to music/ layered rhythms and structure in traditional folk music and after a lot of associative meandering ended up with me recording bird song in the rain.

cary
Artist
12 March 2021 2:11pm
Reply to  cary

Gah! Exceeded by file limits. First page of the obsession journaling.

2A4DB5D9-88F3-4204-8B72-2A8B738C0920.jpeg
carli toliver
Artist
13 March 2021 1:27pm
Reply to  cary

Thank you for sharing images of your writing and the physical copy of the text a and typewriter. I also loved birdsong and listened to it while reading your haibun set, which gave me an erie sense of continuity and fluidity in time between the sound and the passage of time between each murder. The birdsong and the physical copy of your haibun was atmospheric in a way, I felt like I was visiting something, somewhere concrete – a gallery maybe – but also birdsong kept me planted in the real world. Also really liked in your second haibun how you write these fields are streets now – which for me just connected again back to the first haibun/present day.

cary
Artist
13 March 2021 2:05pm
Reply to  carli toliver

Thanks so much for that insight. It hadn’t occurred to me to listen to one while reading the other. So I hadn’t realized the interplay of layers that creates.

Kadie Kelly
Artist
12 March 2021 4:15pm
Reply to  cary

Awesome sound layering! Love it. I did some this week too!

Jeannine Bardo
Artist
13 March 2021 10:05am
Reply to  cary

I don’t think there are many sounds more beautiful than birdsong in the rain. “Birdsong in the Rain” are beautiful words too.

j o h n r o s
Prof
13 March 2021 11:44am
Reply to  cary

i am obsessed with this! (birdsong rain)

cary
Artist
13 March 2021 2:06pm
Reply to  j o h n r o s

It’s thanks to you that is. You taught me to record the garden.

j o h n r o s
Prof
13 March 2021 1:31pm
Reply to  cary

typewriters are the coolest! i use my 1940s royal quiet deluxe all the time!

cary
Artist
13 March 2021 2:02pm
Reply to  j o h n r o s

oh sweet! Then you know what I mean when I say, when everything digital and electrical has in-built obsolescence, the sheer endurance of the mechanical is thrilling. It’s such a qualitatively different feeling to write with it, rather than by hand or on a digital devise (be it with or without a keyboard): the definitiveness of striking the keys. The mark making. The satisfying immediacy of it.

Kadie Kelly
Artist
13 March 2021 2:30pm
Reply to  cary

Responding to the pdf Haibun: there is a lot of good tension here for me as the reader. As I finish reading the poem I realize you are owning that you call this place home and letting us put together the implications of that, which I understand as revealing you are part of the gentrifying class. I appreciate you owning that. I feel called out, and deeply emotionally involved in the complexity. But that’s just a sub layer? Or is it the main idea here? The bulk of the poem is about the injustice of police brutality, which there is a saturation and almost desensitization about in everything we see. So what is different here is that you are calling this spot home.

Last edited 3 years ago by Kadie Kelly
cary
Artist
14 March 2021 2:56pm
Reply to  Kadie Kelly

Thanks for sharing these thoughts. I think – and I say this provisionally – its a sublayer.
For me, the moment/event changed something in me. Irrevocably. I was no longer moving the US to live in a house that was my partner’s home but moving to a house that sat mere feet from where someone was murdered. And that house would become my home too. And so in that there is certainly that complexity of ownership in multiple senses – of place & position & perspective & how one sees oneself – particularly that sense of being implicated in it. Which one cannot wish away.
And a deeper question is perhaps buried in there too I think – how do we make ourselves at home with violence? Which, depending on how one stresses it, is several questions. (I lived in Northern Ireland for 8 years and that question has been resonant for a long time prior to coming to this country.)
And it straddles the personal and the political – the tension in that is unavoidable. I keep thinking of that Baldwin line, nothing can be changed if it is not faced. I meant the haiku literally, but in that light, perhaps I also meant it figuratively.

Kadie Kelly
Artist
13 March 2021 2:42pm
Reply to  cary

I felt like a little kid being allowed to indulge in my own secret loves reading your journal about memory and obsession. I love the details of everything. The fact that you took the time and care to write down each of the steps, almost brings me to tears of empathy for myself, as I am fed a kind of permission to do the same thing. I have been surfacing a lot of negative messages I have gotten about being a woman with any kind of obsession/agency. Thank you for sharing your processes.

cary
Artist
14 March 2021 3:02pm
Reply to  Kadie Kelly

Glad to be sharing in it with you. And yes to the giving of permission to the self. That’s so vital a thing to recover.

Kadie Kelly
Artist
13 March 2021 8:22pm
Reply to  cary

I came across this today site today where you can click on each bird to hear its song, its by Minnesota conservation: https://www.dnr.state.mn.us/mcvmagazine/bird_songs_interactive/index.html
I thought it was cool, as someone who enjoys bird songs but hasn’t studied which birds sound like what.

cary
Artist
14 March 2021 2:58pm
Reply to  Kadie Kelly

That is definitely cool in my book. 🙂

Tracy Holtham
Artist
14 March 2021 10:22pm
Reply to  cary

It was great to hear the combination of birdsong and rain. For me this felt tranquil, meditative, and familiar.

j o h n r o s
Prof
13 March 2021 9:55am
Reply to  cary

the immediacy and urgency and tension is lovely in I. Reginald Wallace. (2010) … i am transported here … opening the gate.

the footnotes are so important… the flow from narrative, to poetic to documentary seems so fitting here. 

Jeannine Bardo
Artist
13 March 2021 10:42am
Reply to  cary

Cary, the pairing is great. All of these personal stories interweaving and how you are connected. I love how you remember Reginald every time you open the gate. So many stories fall away and victims become known by the crime committed against them and not the life they once were. Were both crimes in the same geographic vicinity? I am guessing they are. You bring to the surface the cycle of violence that keeps getting buried and the quote as the heading defines that. The fact that I had to circle back again to the quote after reading the stories made me aware that I was part of the loop. So good!

cary
Artist
13 March 2021 1:37pm
Reply to  Jeannine Bardo

Hey Jeannine, the short answer is yes. Very close proximity. By no more than 3 blocks. My partner’s an academic historian and has increasingly been called upon to provide historical information in support of neighborhood activism against gentrification as white wealth floods into and commercial development encroaches what is one of Nashville’s oldest African American founded neighborhoods. He delivered a paper the other year that drew a direct connection and continuity between the violence done to Reginald and Sophia (whose case he found in newspaper archives).
It’s near impossible for me to think about the impact of that moment in 2010 – how it shaped how I understood the very specific here I was moving to when I emigrated at the end of that year – without remembering its place in the longer history of white supremacist violence. But also the ethical responsibility that comes with such knowledge – the way it forces one to live in truth or retreat into denial.
I’ve been thinking a lot about the relationship between the built city as habitat and natural habitat. I recorded the birdsong in the rain on our back porch, only 60 feet from where Mr Wallace was killed. One reality doesn’t cancel out the other. They sit in constant tension. The death and the persistence of life. Lament and gratitude. Horror and beauty.
Yesterday afternoon I was discussing “Fahrenheit 451” with my 14 year old niece who’s up in Toronto (we have an online weekly book club together). I was struck by these lines about the impact of nature – which is in stark contrast to the city:

He stood breathing, and the more he breathed the land in, the more he was filled up with all the details of the land. He was not empty. There was more than enough here to fill him. There would always be more than enough.

It occurred that the sound of birdsong in rain perhaps felt like that sort of momentary revelation. It’s beauty (the natural rhythm and musicality) that just is. It’s not trying to be anything, nor performing – at least not for us. It just is.

Everything we’re doing here seems to be some form of bearing witness to the is-ness of things, be they painful or beautiful. Or both.

Tracy Holtham
Artist
14 March 2021 10:15pm
Reply to  cary

I. Reginald Wallace. (2010)

-I found the use of dialogue to be really effective.

-For me the haiku situated me within the present, and what it may feel like in this situation.

II. Sophia Conn. (1866)

-I also found this powerful – the sense of time and use of the drum as possibly representing repetition in context, time and space.

Jeannine Bardo
Artist
12 March 2021 2:01pm

My obsession for the week. Finance, Bitcoin, NFT’s. WTF? I obsess over how they work and I obsess over how we let them exist. I obsess over how we accept a figment of someone’s imagination that allows the rich to get richer and keep robbing our resources, but we won’t listen to others imagine a way out of the destructive, inequitable financial system we live under.

Writing prompt How I remember:
I write to remember. I physically write to remember, but I forget where I put it
I list to remember. I write lists to remember, but I lose the lists
I find that the tools that most people use end up frustrating me more so I remember when I taste and smell, I remember when I read and read more, I remember when I talk to others, I remember when I swim and I run and I dream and I walk. I remember every time one synapse sparks another. I can never stop making connections. Connections to the past, to words, to meaning, to others, to this world. I am constantly consuming information and now I am finding myself failing to remember the words I need when I speak. The file cabinet is full and I can’t reach back fast enough to catch the word, but when I write it finds its way out. I am fearful of the day it doesn’t.
I sometimes remember something all day, but when I am supposed to be there I forget. This would worry most people, but this is who I’ve always been.

Last edited 3 years ago by Jeannine Bardo
Kadie Kelly
Artist
12 March 2021 3:48pm
Reply to  Jeannine Bardo

I so enjoyed the earnestness paired with mentions of losing the things! Made me laugh because it can be like that. Thank you.

cary
Artist
14 March 2021 3:05pm
Reply to  Jeannine Bardo

This is wonderfully relatable. Especially the connections. Which can be a gift or a curse.

Tracy Holtham
Artist
14 March 2021 10:37pm
Reply to  Jeannine Bardo

Writing prompt How I remember:

I physically write to remember, but I forget where I put it
I list to remember. I write lists to remember, but I lose the lists
– I can relate to this a lot.

I am constantly consuming information and now I am finding myself failing to remember the words I need when I speak.
– This connected with me deeply – it feels profound to me.

Kadie Kelly
Artist
12 March 2021 3:12pm

How I remember: Sensory things, both physical (seeing, hearing, smelling, tasting, touching) and emotional, bring memories to my mind all the time. Sometimes I reread old journals, look at old photos, videos and calendars to help me remember more details, or reach out to someone who experienced it with me or who knew me at the time and talk to them about them.
Stream of conscious writing, improvising, drawing also help me surface memories and old feelings/experiences.
If I want to commit something to memory, as in a literal answer to how I remember something, usually repetition, copying something out long hand, singing it. Saying it out loud. Finding ways to use multiple modes/senses helps me to reinforce something I want to remember and integrate it. Like with trying to memorize a piece of music, specifically, or if I wanted to remember what to say in a presentation.

Last edited 3 years ago by Kadie Kelly
Kadie Kelly
Artist
12 March 2021 4:27pm

Hi all, I made a video this week about how I nurture my creative process. I’m sending along in response to the bonus hw question:
https://www.facebook.com/superpowerofthesong/videos/264419695188767

Kadie Kelly
Artist
12 March 2021 4:28pm
Reply to  Kadie Kelly

You’ll note my mention of one of our hw assignments from last week.

Tracy Holtham
Artist
12 March 2021 6:51pm

Hi Everyone – it was great to meet you all.

Here is my memoir haibun.
 

Hinge’s Edge
 
Finger is trapped. Tiredness stretched my hand to the hinge’s edge. I screamed internally before the shock shame game. Pain, pause – an echo to disdain. My eyes ponder whether to write out their own disguise. Between delayed heartbeats, blood of guilt and fear burrow beneath. 
 
 
My busy senses
Collide with stress deep regret
Automatic mess

Exhibit A
One digit intact
 
Exhibit B
Stress laughing suspiciously at the entrance
 
Exhibit C
Context hurt more than the anguish
 
Exhibit D
Healing reveals a truth lining

j o h n r o s
Prof
13 March 2021 9:58am
Reply to  Tracy Holtham

goodness… so lovely…
“My eyes ponder whether to write out their own disguise. Between delayed heartbeats, blood of guilt and fear burrow beneath.”

the evidence in hinge’s edge feels so meaningfully pointed… we hold onto each line… linger.

Kadie Kelly
Artist
13 March 2021 8:38pm
Reply to  Tracy Holtham

This reminded me of a time I accidentally dropped a dart in my favorite cousin’s barefoot! I am guessing your finger was pinched in a hinge and there was something about it or the situation or an interaction gone wrong that you felt responsible for. It is a little cryptic in not letting us in on that part, leaving me with questions-effective but also maybe too elusive. I’m not sure. What you have here is a lot to work with. The structure of exhibits I find exciting.

Last edited 3 years ago by Kadie Kelly
cary
Artist
14 March 2021 3:19pm
Reply to  Tracy Holtham

And you, Tracy.
I love the sense I get here that you’re working with time – that very real sensation of time slowing down as we stare at the trapped finger. We shouldn’t be able to think all these things and yet it’s something so familiar – that pause between injury and outward reaction.

It’s so interesting to see everyone playing with the form of the haibun and taking so many different approaches. The exhibits is a yet another iteration of the structure. I like the rhythm of them.

Tracy Holtham
Artist
12 March 2021 10:10pm

1. Write another Haibun with a different theme 

Inner Child Haibun

Hunt for Blossoms

I like playing with time, tasks, and sounds. This navigation is taking me beyond the outskirts of the present, into acceptance. I sing for one in silent spaces, and honour the tastes of mealtimes, signing off with something sweet. Today I will hunt for blossoms. I am skipping towards nurture and distraction. The soft mumble of conversations by adults annotates the air. Friend’s laughter greets me through the screen. I want to look after myself, but my mind can’t fathom grown-upness yet.  We are wondering when the adults will save us.

Lockdown has changed us
Shrinking of worlds and moments
Towards adulthood

Favourite toy
Small shiny red handbag
Crayons in a pencil case
Art apron
Sticker book 

Last edited 3 years ago by Tracy Holtham
carli toliver
Artist
13 March 2021 1:37pm
Reply to  Tracy Holtham

There are too many lines in here that I enjoyed and relate to. you’ve captured so accurately, for me, what these days are feeling like.
This navigation is taking me beyond the outskirts of the present, into acceptance.
I feel like there is so much wisdom in this line! Also just loved this play between grown-up-ness/adulthood and this question (or fact) of just what are we doing with these days? What do these days consist of? I feel like I’m left reconsidering what adulthood means and what’s worth skipping towards.

Kadie Kelly
Artist
13 March 2021 8:28pm
Reply to  Tracy Holtham

OMG – sticker book!! That was the best part of the poem for me.
(Your inner child voice is much more mature sounding than mine!)
I loved the line signing off with something sweet. Aw. Maybe I should do that more! I realize you could have meant finishing your meal with something sweet, but signing off seemed like also closing an email or conversation. Thank you for these innocent musings!

Jeannine Bardo
Artist
22 March 2021 4:57pm
Reply to  Tracy Holtham

Lovely Tracy. You definitely captured the sense of time through a child’s mind. The moving in and out of the imagination, the senses, taste, sound and smell mixing with a child’s imagination.
-“today I will hunt for blossoms”, It brings me right back to to a day when I didn’t hunt for blossoms but I was among the blossoms, close to the ground surrounded by grasshoppers everywhere. I remember the light and the silent sounds.
-“I want to look after myself, but my mind can’t fathom grown-upness yet” The thoughts of aging through a child’s mind that is so surreal and not the reality that an adult thinks of.

Tracy Holtham
Artist
12 March 2021 10:15pm

Journal Entry #2
Writing Prompt – to write down the process of how you remember.

My process for remembering is as follows:

• Writing things down by hand
• Typing things up digitally
• Notes, revision cards, journals, planners, spreadsheets, photos, video, drawing
• Using highlighters, imagery, underlining, different scales of text, Post-it notes, bookmarks, etc. 
• Reading
• Re-reading
• Taking in information via different mediums i.e., watching a video, listening to an interview, looking at photos, images, etc.
• Investigating the context of what is being remembered, by looking at the historic, social, emotional, or other aspects
• Talking with others to gain further understanding
• Asking for clarification
• Undertaking the activity of remembering whilst doing something else, i.e., walking, making, listening, etc.
• Collating a playlist around the subject or topic

cary
Artist
14 March 2021 3:23pm
Reply to  Tracy Holtham

This is lovely process work. If you don’t mind, I’m copying this list as a reminder when I feel at a loss on how to proceed.

Tracy Holtham
Artist
12 March 2021 10:19pm

Sketch Entry #2
Ongoing journal assignment weekly “obsession.”

The New Normal

Since the phrase ‘The New Normal’ has been in circulation during the pandemic, I thought it would be interesting to look at what this phrase can mean for different people, and how it is potentially perceived or changed over time.  

I researched the words pandemic, new, and normal as a starting point, and created a list of associated words. I also looked at various images around these themes, to see if any stood out our could work together.

Tracy Holtham
Artist
12 March 2021 10:22pm

This weeks questions:

What are you reading this week?
The Roasting Tin Around the World: Global One Dish Dinners, Rukmini Iyer

What have you obsessed/researched this week?
What ‘The New Normal’ can mean
How to get ready for spring
How to prepare for Easter
How to decide
Juicing

What has been feeding your creative side this week?
Seeing the changing scenery through the window
Various radio shows
Conversations
YouTube videos
Books
Playlists
Food prep
Support from holistic practitioners 
Guided meditations
Tea
Chocolate

Kadie Kelly
Artist
13 March 2021 3:27pm

The obsession prompt has really been working on me this week. At first I thought it would be easy to write about. But what has really surfaced is the memory of a life-long friend who died as a young adult a 4 years ago. Her name is Shayla Roberts. As a teen she was obsessed with fantasy fiction. I spent some time visiting her facebook page looking to receive some of her personality and essence there. I saw some photographs, but mostly it was her sharing recipes and contests she wanted to win.

The most prominent memory that came to me was from a day when we were at the park at a family gathering, while in our teens. She shared with me all about Tolkien’s Lord of the Rings and The Hobbit. This was before the movies came out. She was so in love with the maps, culture and language that he wrote and announced that she wanted to do that too, specifically write a new language. She went on and on about it.

I was struck by her obsession and ability to share it with me, and even the magical desire she had for what I thought would probably be too hard of a task, to write a new language. I liked books and writing too, but I never really talked about it. I didn’t see a place for it, or anyone who would appreciate it in my life.

I told my mom about the conversation I had with Shayla. Testing out the waters. My mother told me her mother said that their doctor said she may develop schizophrenia if she read too much and they have to try and control that.

This response is the main reason I have several hundred journals from the time I was 8 years old, and have only recently begun to allow myself to identify as a writer. Incidentally I created a very strong boundary this year, not to interact with my mother, and since then my creative spirit has been able to surge, open up to me and resulted in a level of fulfillment and joy I could have been enjoying all along without the toxic lens I was given.

I was reading from All About Love by bell hooks this week (again) and it resonated:

On any day in my family of origin I might have been given caring attention wherein my being a smart girl was affirmed and encouraged. Then, hours later, I would be told that it was precisely because I thought I was so smart that I was likely to go crazy and be put in a mental institution where no one would visit me. Not surprisingly, this odd mixture of care and unkindness did not positively nurture the growth of my spirit.

I told my partner about this and he said that my mom’s reaction was ridiculous. That was the first time I had ever talked about it with anyone else which lead me to a huge aha moment as I realized a connection I hadn’t before made. I watched a TED talk by someone, a woman, I don’t even remember who, who used the phrase “New Language” and kept hold of it as a mantra and even a password to help me remember that is such a beautiful intention, secret and prayer to hold, that in some magical way, was initiated in my consciousness by Shayla when were teenagers.

I had totally forgotten about Shayla when I obsessed over that word a few years ago. I thought I was resonating with it as an adult, because so much of our cultural values are tied into the words we use and reuse and then we end up reinforcing things we really don’t want. It is kind of like Jeanine was saying how we don’t allow ourselves to build new tools.

I thought about Shayla’s death. And the neglect that I feel lead to it. And my not going to her funeral because I could not face the community / church. Too, too toxic. I tried getting dressed to go but was energetically immobilized. I sat down on my bed in what seemed like the most appropriate dress I had, realizing it wasn’t really appropriate.
Then I tried to forget about it. Pangs of guilt have come lightly over the years for that, but this week, the realization came that I can still honor her now.

This week I’ve talked to her while walking alone, hugged a tree as I thanked her and told her how much I miss her and how valuable her presence has been in my life especially now as I have the ability to more consciously receive it.

When I got a little stuck with a song I am working on this week, she came to me. I just suddenly pictured her alone as my audience. She smiled at me. I was overcome with emotion and permission to push forward in a way I have never felt before. I love her so much for coming into my life. My obsession now is with honoring her creative, abundantly loving, open spirit and presence.

Kadie Kelly
Artist
13 March 2021 9:00pm

I realize today is past the deadline, but here is one more Haibun, in response to the bonus HW, on letting go. This one is about my letting go of internalized misogyny.

Anastacia-Renee
Prof
Anastacia-Renee
15 March 2021 9:06am

Greetings Amazings,
I have been down with a horrible on/off/on/on/on MIGRAINE! I am catching up to all your posts and cannot wait to give feedback on your Haibuns. Thank you so much for taking the time to watch/listen to my exhibit. I am so honored. Talk to you soon!
Prof. A.

Anastacia-Renee
Prof
Anastacia-Renee
15 March 2021 9:11am

Last time I sent my feedback to you via email. If you all felt good about that, I’d like to return to that. This way…this space belongs to YOU ALL to give feedback to each other and be in conversation with each other. I will reply to each of you once I have sent your feedback/comments via email. Thank you again for your patience with my migraine and I am super excited read all of these! Feel free to upload pictures of visuals if you choose.
Prof. A.

cary
Artist
15 March 2021 9:25am

morning, Prof. A.,

that sounds like a good plan to me if it works for you.
sorry to hear you’ve been feeling rotten.
Sending good thoughts/vibes/wishes of wellness your way.

cary.
p.s. I’m feeling enthused about the week 3 assignment you’ve set. Feels packed to the gills with potential!

Tracy Holtham
Artist
15 March 2021 6:13pm

Hi Prof. A.

I’m sorry to hear about the migraine. I hope you feel better soon.

Tracy

Kadie Kelly
Artist
15 March 2021 7:21pm

Dear Prof. A, Sorry about the migraines. Email works for me. Thanks for asking. I hope you feel better soon.

jeffrey martin
Artist
18 March 2021 12:30pm

Hi Folks,

Apologies for my late submission. this has be a very full week for me this week and am catching up on everyones comments and thoughts here. I have attached my Memory Hiaban and will get to comments soon.

I am also wrapping up this messy grad school class I didn’t finish which has me being a little to involved with graphs around teacher quality and making sure we have the same about of STEM and humanities teachers in K12. I have attached some of those drawings. I enjoy drawing graphs and objects… just not when I have to use it to prove inequity with out a proper solutions… le sigh.

cary
Artist
18 March 2021 1:19pm
Reply to  jeffrey martin

Hey Jeffrey,
So good to see you on here. 🙂
I read the poem (my heart was in my mouth!) before the graphics and I’m finding it makes for an intriguing experience in combination. The feeling and motion of the poem still echoing as I turned to the graphs.
Though the forms are distinct and recount very different kinds of stories, both it seems to me involve & express time, trajectory, the relationship to things relative to one another, cause and effect, and consequences – which is perhaps why the lines on the graphs read to me (albeit abstractly) like tire marks on a highway from above.
And that in turn has me thinking about poetry’s ability to express qualitative experience that goes way beyond quantitative evidence. It can take us inside the immediacy of lived experience – in a way that an aerial photograph, say, of the highway with skid marks as evidence would only have us guessing at.

jeffrey martin
Artist
26 March 2021 12:13pm
Reply to  cary

Thanks for your feedback here. I did not notice the tire comparison and that is super helpful

Anastacia-Renee
Prof
Anastacia-Renee
19 March 2021 8:35am

Writers,
I had such a fun and insightful time reading your comments to one another and all the pieces. Y’all are on FIRE! 🙂 Please email me if you did not receive at least one email from me regarding feedback. I really enjoyed the journal responses and your responses to how you remember. The archivist in me wanted to print all of this out. I am now headed over to Session III space to begin reading your Epistolary poems and check out those prompt responses etc.
Also, excited to see you all on Monday!
Prof. A.